Translating Bigly
The New Vintage
Is hardcover the new vinyl? Over at The Literary Hub, Yahdon Israel argues for the irreplaceable magic of tactility and print books: “There’s something gratifying about being able to underline a sentence or write a response in the margin of a book, knowing with certainty that it will be there later. I can’t get that guarantee from a phone. My data could be hacked, a new upgrade could wipe its memory, my battery could die mid-sentence and cause me to lose everything I’ve typed. They say that what goes up into the Cloud must come down, but ‘they’ can’t always be trusted—least of all with the things I value most, my books.”
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Goodbye to Brazenhead
Recommended reading: Brian Patrick Eha‘s goodbye to Brazenhead Books, published in the New Yorker. Pair with J.T. Price‘s piece on the closing of Brazenhead for The Millions.
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Cover to Cover
Here at The Millions, we know the importance of a book’s cover (for evidence see here, here, here and here), so Margaret Sullivan‘s new project, Jane Austen Cover to Cover, has our attention. A sample of covers for Emma, available on The Paris Review‘s blog, “provides a fascinating glimpse into a variety of publishing cultures, and it reminds that even our classics are mutable, pitched to appeal to any number of sensibilities, their literary status in constant flux per the dictates of the market.”
Insert Tittle Here
Did you know that the dot over an “i” or “j” is called a “tittle”? Buzzfeed‘s got a list including that, and 24 other everyday things you never knew had names.
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Literary Paper Dolls
What better way to celebrate pioneering women writers ranging from Edna St. Vincent Millay to Edith Wharton than with a collection of literary paper dolls?
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