Recommended Reading (National Prayer Breakfast edition): Jeff Sharlet’s terrifying, timely The Family.
The Family
Flatmancrooked Reading in Brooklyn
Attention New York-based readers: This Friday evening at 7:00, The Millions staff writer Edan Lepucki will read from her novella If You’re Not Yet Like Me at Book Court bookstore in Brooklyn. Joining her will be fellow Flatmancrooked author Shya Scanlon, who will read from his novel, Forecast. Don’t miss it!
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Constantly Questioning with Tanaïs
Tanaïs discusses their memoir, In Sensorium, in which they examine alternate histories and universes of memories and scent.
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Thank You, Scratch That
If you’ve ever been asked to write a thank-you note, you know that, paradoxically, it can be one of the hardest forms of writing to do well. In light of that, The Morning News has kindly republished their classic guide to writing thank-you notes, written by Leslie Harpold. Sample quote: “If you want to know when you get a genuine pass on writing a note, the litmus test is simple: Do I live under the same roof as the giver?”
Not to be Rude
Apologies for bringing this up, but in a WaPo review of Sorry!: The English and their Manners, Jonathan Yardley points out that your average English person says “sorry” eight times a day.
‘Confessional Writing’ Is a Tired Line of Sexist Horseshit
“If I’m writing something about my period, it doesn’t mean that I’m not an intellectual. I can write an intellectual essay about my navel or a whole book about my period.” The Literary Hub has a transcript of Red Ink’s panel discussion on literary misfits, including Marcy Dermansky, Melissa Febos, Michele Filgate, Sarah Gerard, Emily Raboteau, and Lidia Yuknavitch. And we will never, ever miss a chance to mention Yuknavitch’s essay in our own pages about grief.
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Contemporary Fiction and the Internet
“The internet has altered our lives in ways television never did or could, but mainstream literary novelists – by which I mean writers who specialize in realistic, character-based narratives – have mostly shied away from writing about this, perhaps hoping that, like TV, it could be safely ignored.” Laura Miller examines how contemporary novels are coming to terms with the internet.