His Dark Materials author Philip Pullman has reportedly completed another trilogy, The Book of Dust, that will publish in October of this year. The new works “will stand alongside his bestselling series,” sources say.
New Philip Pullman!
Cellpoems Poetry and Reviews
Poems and reviews in 140 characters or less. NY Book Bench has a great article about Cellpoems, and how they fit into the swiftly changing literary landscape of today.
Life as an Afición
Ernest Hemingway was a great drinking buddy as long as you didn’t make any plans with him. At The Moth, author A.E. Hotchner recounts when Hemingway convinced him to be a matador for the day.
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Poetical Territory
In the Winter 2013 issue of The Paris Review, Kevin Prufer published a poem, “How He Loved Them,” that tackled the aftermath of a car bomb explosion outside of a courthouse. On the magazine’s blog, Robyn Creswell interviews Prufer, who laments that “somehow, when we enter the territory of politics, we expect our poems to shill for votes, to argue strongly for particular beliefs.” (He also has a new book out.)
The Other Bronte Girl
At long last, Anne Bronte’s gravestone has been been corrected.
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Yea, As If They Know What They’re Doing
Here are some writing tips from Henry Miller, George Orwell, Margaret Atwood, and Neil Gaiman.
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Keep It in Your Pants and out of the Plot
Terrible sex writing spans the globe according to this year’s Bad Sex Award shortlist. It includes: My Education by Susan Choi, The Last Banquet by Jonathan Grimwood, House of Earth by Woody Guthrie, Motherland by William Nicholson, The Victoria System by Eric Reinhardt, The World Was All Before Them by Matthew Reynolds, The City of Devi by Manil Suri, and Secrecy by Rupert Thomson. The winner will be announced on December 3.
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Did We Mention That the Night Is Young?
The hard-partying New York Times had us seeing double this morning.
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The Movie That Ate Itself
Have some free time today? Might I suggest reading Michael Idov‘s GQ article “The Movie That Ate Itself.” Not convinced? I’ll let the story’s description speak for itself: “Five years ago, a relatively unknown (and unhinged) director began one of the wildest experiments in film history. Armed with total creative control, he invaded a Ukrainian city, marshaled a cast of thousands and thousands, and constructed a totalitarian society in which the cameras are always rolling and the actors never go home.”