In his new book, Pill City, journalist Kevin Deutsch set out to tell the real story of how, following the 2015 Baltimore riots, Charm City’s streets became flush with heroin and pills. But now local writers are raising serious questions about the veracity of Deutsch’s account. Among others, The Wire creator David Simon has called the book “a wholesale fabrication.” Last week, Newsday announced they were “reviewing Deutsch’s work over the four years he worked here,” and the New York Times, where Deutsch has contributed, followed suit.
“Although comfortable with solitude, he admits: ‘I couldn't write all the time. As a writer, you have to come out into the world. I don't have a Salinger or a Pynchon impulse. There are so many things to do that are interesting.’” Talking with Ian McEwan.
Tonight at the Pacific Standard Fiction Series in Brooklyn, Victor LaValle, author of Big Machine (which, according to Edan boasts "one of the best voices to come out of literature in the last…oh, ever, probably"), will be reading with Robert Lopez, author of Kamby Bolongo Mean River. As usual, I'll be hosting; it would be great to see you there. For more information, see Time Out New York.
"When they’re not at their day jobs, a great many of the island’s 330,000 inhabitants dabble in verse." The New York Times attempts to understand why Iceland is chock-a-block with poets. A few years back we reviewed one of its better known practitioners (and Björk lyricist) Sjón.
One of the best parts of last month's Cullman Center discussion between John Jeremiah Sullivan and Wells Tower was watching JJS carry on the conversation while sipping from a highball glass of whiskey. The essayist's Southern roots and Irish ancestry of course make him no stranger to potent potables, which is why Danny Nowell's "John Jeremiah Sullivan" cocktail is so appropriate.
From one great publication to another: The Atlantic gushes over the "phenomenal" New York Review of Books.
Over at the New Republic Year in Reading alum William Giraldi writes his "Confessions of a Catholic Novelist," and they include ruminations on Graham Greene, Flannery O'Connor, and Walker Percy, as well as on the inevitable impact being raised in the Church has on his own work and the writing of many, many others. Giraldi's essay pairs very well with the work of our own Nick Ripatrazone, who has reviewed Giraldi's Hold the Dark, written about teaching Flannery O'Connor to high school students, and just this week discussed the current state of independent Catholic literature.