When you want to distinguish fiction and poetry writing from academic work or journalism, you use a straightforward term: creative writing. But what if that term is not the one you should use? At Slate, an article on the subject by Cydney Alexis, originally published by Inside Higher Ed.
Writing Writing
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Stalker Sunday
In celebration of Geoff Dyer‘s Zona, discussed on The Millions here and here, Galley Cat is hosting an online viewing party of Tarkovsky‘s Stalker this Sunday.
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The Women
Director Jamieson Fry follows up–and perhaps surpasses–his incredible book trailer for Dan Chaon’s Await Your Reply with this one for The Women by T.C. Boyle
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Feeling Fraudulent
“Whenever I tried to invent a character or a situation, I felt a stab of guilt. I could hear my teacher’s quavering voice saying, Write what you know! Why had she insisted on this so vociferously?” Writing class mantras are easy to impart but they are also easily misinterpreted. A.X. Ahmad, author of The Last Taxi Ride and The Caretaker, learns this truth the hard way as he tries to become a writer following a personal upheaval. Pair with Ahmad’s Millions essay on “The Thriller, Reinvented.”
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Shatoetry
There’s an app called Shatoetry and, yes, it was created by William Shatner. Its purpose? Why, as “a sort of magnetic poetry assembler where every word is read in the offbeat actor’s distinctive tone,” of course.
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Getcha Popcorn Ready
Think of this as the film world’s equivalent of our Great Book Preview: Metacritic pores over the “50 Most-Anticipated Films” of the coming year.
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