When you want to distinguish fiction and poetry writing from academic work or journalism, you use a straightforward term: creative writing. But what if that term is not the one you should use? At Slate, an article on the subject by Cydney Alexis, originally published by Inside Higher Ed.
Over the weekend, Canada’s National Post ran a book review by our own Michael Bourne, who contributed a piece on Bright Lights, Big City this week. In the review, Michael reads Thomas King’s The Back of the Turtle, which he says reaffirms the rule that bad guys are always more interesting.
Here are a couple more pieces on Bill Keller’s departure as executive editor of The New York Times. An interview with Esquire conducted not long before his announcement: “Newspaper publishers have done more to kill newspapers than any innovative form of media.” And New York describes how Keller’s recent cranky columns about new vs. old media ticked off the newsroom.
James Baldwin couldn’t be more relevant, but he is fading from America’s high school classrooms. His controversial writing, censorship, poor student reading habits, and absence from the Common Core are all to blame for the lack of Baldwin in the curriculum. Pair with: Our essay on why Baldwin’s work still resonates.
At The Wilmington Star News, a round-up of the news coverage of the suicide of The Virginia Quarterly Review‘s managing editor, Kevin Morrissey, and the accusations that Morrissey’s boss, Ted Genoways, the wunderkind editor-in-chief of VQR, may have played a role in the suicide. In the wake of this sad controversy, the University of Virginia has shut down the 85-year-old journal, pending an internal investigation.
Paula Fox, celebrated novelist and winner of the 1983 National Book Award (among other honors), died this week. Contributing to our Year in Reading series two years ago, Parul Sehgal said she couldn’t stop rereading Desperate Characters, perhaps Fox’s most popular book for adults. “It’s really a wallop of a book,” Sehgal wrote. “A barbed portrait of a marriage, not to mention a brilliant take on gentrification, white fears of black and brown people, the hostile insularity of the nuclear family, and how power reproduces and how power conceals itself.” (Bonus: Dominic Smith wants to send a scene from that novel into space.)