Out this week: Selection Day by Aravind Adiga; Freebird by Jon Raymond; Idaho by Emily Ruskovich; The Analyst by Molly Peacock; Falling Ill by C.K. Williams; and Difficult Women by Roxane Gay.
Tuesday New Release Day: Adiga; Raymond; Ruskovich; Peacock; Williams; Gay
On Internet Fiction
Jacob Silverman reviews two new novels – Note to Self and The More You Ignore Me – that “take on one incarnation of the Internet: the Internet as pathology” but ultimately fail to succeed “in exploring or critiquing digital life with any authority.” He notes that “like any technology, [the Internet] has to be shaped for the purposes of literature.”
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Words & Symbols
Mairead Small Staid writes on the history and poetics of the ampersand, “a logogram masquerading as a letter, a letter that is also a word—like a and I and even o, but no—a letter that is only a word, the plainest word of all.”
Welcome to the Party, VQR!
Thanks to Jane Friedman, the Virginia Quarterly Review is really blossoming of late when it comes to social media and increased web presence. Case in point: these once-a-week poem posters on their Facebook page. Extra case in point: the sort-of-not-so-secret Tumblr they’re working on!
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Basically, Salman Rushdie is the man.
“Writing’s too hard, and most of the time you feel dumb. It’s so difficult, you don’t have time to worry about being famous. That just seems like shit that happens outside.” Cheers to that, Salman Rushdie.
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