“They said banning me from Twitter would finish me off. Just as I predicted, the opposite has happened.” Talking Points Memo reports that Simon & Schuster is moving forward with plans to publish a book by Breitbart News editor and white nationalist Milo Yiannopoulos, whose extended harassment of comedian Leslie Jones finally led to his expulsion from Twitter last year. Critics of the publishing house have called for its boycott, including some of its own authors.
Trololololol
Marie Mutsuki Mockett Interprets Bashō with Her Son
The Thrill of Writing Prose
Bookforum interviewed Garth Greenwell about the queer tradition of autofiction, the impulse to write fiction, and the thrill of surprising oneself. Also check out this Millions review of Greenwell’s debut novel What Belongs to You.
Biblieauphilia
The Book Bench comes up with a list of perfumes inspired by novels, from Essence of Mrs. Dalloway to Middlesex Scented Oil.
Poussey Lives
Exciting news, Orange Is The New Black fans! Samira Wiley will be co-starring in the Hulu adaptation of Margaret Atwood’s The Handmaid’s Tale.
“If only we hadn’t read it before.”
“The stories that dominated the serious magazines and journals seemed to share a flat fireless quality… Characters dropped half out of love, or endured a minor crisis, or just wandered around treasuring their sense of dismay about, you know, the fallenness of the world.” In case you missed it: Slate’s review of Stuart Dybek‘s new collection of stories, Paper Lantern, also delivers an acerbic take on the modernist past and current “revitalization” of the American short story.
Realia
“After scanning across this listing while doing cursory research for something else, I instantly became obsessed with the idea of the zebra skin in the library. What, exactly, did it look like? How was it stored amongst his papers? Why had he owned it? What was it doing in the special collections of an academic library?” On looking through the archives of William Gaddis.
The Social Function of the Novel
Recommended reading: Tim Parks asks “what is the social function of the novel?“