“In the years before my book came out, I was writing frantically. I remember a week when I was working late at my job, late enough that the buses had stopped running and I had to take a cab home, and I still wrote into the night, trying to finish an essay I had promised an editor. Now I see that I was trying to race against time. I had believed, however irrationally, that there would be a moment beyond which my voice would be taken away from me and I would no longer be able to write.” On writing and tenacity.
“When watching [Abbas] Kiarostami films, one also has a great sense of another kind of freedom not found in Hollywood movies, nor in most European art films: freedom from the creeping realization that a film we are watching was made by a cynical shit or a self-deluded megalomaniac.” Here’s something you don’t see every day — an essay that begins with an Independence Day showing of The Purge: Election Year, and somehow ends up at a poetic examination of Kiarostami’s artistic legacy.
Journalist and author Simon Winchester highlights five books “that shed light on the social history of his adopted homeland, from the late 19th century to the Great Depression.” We’re pleased to see Millions Hall-of-Famer Stoner make the cut.
Pantone has released a Queenly color wheel, made especially to mark Queen Elizabeth’s Diamond Jubilee. The wheel is made up of the Pantone referents for the colors her Majesty has worn throughout her reign, and each chip bears a historical note on the particular hue’s tie to her wardrobe. This is especially good news if, like Slate, you think that the Queen is the most fashionable woman in the world.