Is it legal to “fatten” a story?
A couple weeks ago, Darcey Steinke wrote an essay for The Millions in which she remembered her friendship with Barry Hannah. She went into detail about the freewheeling energy of his prose. Now, in a review of Steinke's latest for Bookforum, Lisa Locascio writes about the author's own talents. “Many authors bounce the sacred and profane against each another; Steinke blasts them together with the intensity of CERN’s Large Hadron Collider (LHC),” she writes.
Tim Parks investigates the idea of “writing to death” in the cases of Thomas Hardy, D.H. Lawrence, Anton Chekhov, Charles Dickens and William Faulkner. “So many of the writers I have looked at seem permanently torn between irreconcilable positions,” Parks writes. “Eventually, the dilemma driving the work either leads to death, or is neutralized in a way that prolongs life but dulls the writing” (Bonus: Our own Mark O’Connell just reviewed Parks’s latest book, Italian Ways.)
In 1913, Ambrose Bierce, at the age of seventy-one, rode a horse from California to Mexico, where he planned to cover the ongoing Revolutionary War. At some point, he disappeared and died, though accounts vary as to what exactly killed him. At The Paris Review Daily, Forrest Gander recounts the many deaths of the Devil's Dictionary author, which include a public burning, death by disease and executions at the hands of Mexican soldiers.
The annual Edinburgh World Writers' Conference wrapped up earlier this week, but, thanks to the wonders of the internet, you can relive the magic: Transcripts and videos of notable speeches are available on the conference's website, including the concluding talk on the future of the novel by China Mieville.