Recommended Reading (Inauguration Day edition): “Haecceity” by Joshua Clover.
The cartoonist Joe Sacco has a new graphic novel out that uses a twenty-four-foot panorama to depict the first day of the Battle of the Somme. At Salon, Sacco tells Daniel D’Addario that his upbringing in Australia, where the landings at Gallipoli have great patriotic significance, helped to spur his interest in the War to End All Wars. (Related: we interviewed Sacco last year.)
Our friends at More Intelligent Life tot up the most common titles found on New York’s street-corner book stalls.
The Guardian reports that the British Library has made its archive of world and traditional music available online. And it’s free for everyone. What might you hear? “There are Geordies banging spoons, Tawang lamas blowing conch shell trumpets and Tongan tribesman playing nose flutes. And then there is the Assamese woodworm feasting on a window frame in the dead of night.” You might also check out the British Museum’s free online image database. Here you’ll find thousands of images of paintings, etchings, drawings, and artifacts from every country and era of human history, easily searchable by era, country, artist, or subject. In using the database for dissertation research, I also found copyright permissions relatively easy to acquire.
“Whenever I tried to invent a character or a situation, I felt a stab of guilt. I could hear my teacher’s quavering voice saying, Write what you know! Why had she insisted on this so vociferously?” Writing class mantras are easy to impart but they are also easily misinterpreted. A.X. Ahmad, author of The Last Taxi Ride and The Caretaker, learns this truth the hard way as he tries to become a writer following a personal upheaval. Pair with Ahmad’s Millions essay on “The Thriller, Reinvented.”