Margaret Wise Brown was nothing if not an interesting figure. The Goodnight Moon author, whose life is the subject of a new biography, loved hunting, partying and staging stunts, among them founding a club that claimed they could reschedule Christmas. She kept homes in Greenwich Village and a tiny island off Maine. At Slate, Laura Miller reads the new book by Amy Gary. You could also read our own Jacob Lambert’s critical review of kid’s picture books.
Moonstruck
He’s Not Keen on Kids, Either
Some interesting facts about Geoff Dyer emerge from Bryan Appleyard’s profile of the essayist. Namely: shoes are banned in the Dyer abode; the man enjoys playing tennis; and he’s never had a threesome.
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To Kill a Reputation
Harper Lee may have died earlier this year, but the drama surrounding her final years rages on. Last week, a stage adaptation of Lee’s To Kill A Mockingbird was performed in her hometown of Monroeville, Alabama, as it has for many years. This time, however, things got a bit contentious. Here’s a dispatch from Monroeville by Robert Rea for The Millions.
Much Ado about Queneau
To commemorate publication of the 65th anniversary edition of Raymond Queneau’s Exercises in Style, New Directions has asked ten contemporary writers to “create new exercises in homage to Queneau.” Over at The Rumpus, you can check out Jonathan Lethem’s “Cyberpunk” exercise, as well as one of Queneau’s twenty eight “never before translated” exercises making its English debut in the new edition. Bonus: read our own Mark O’Connell on the “radical claims about the relationship between form and content” in Queneau’s writing.
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BLOOM Seeks Social Media Intern and Editorial Assistant
The Cursed Child in Print
Harry Potter fans, rejoice! Little, Brown UK and Scholastic will be publishing the script book for Harry Potter and the Cursed Child, the new play written by Jack Thorne. It’s a good time to revisit Michelle Dean’s essay reflecting on the close of the Harry Potter series.
Do I Dare to Eat a Banana?
“She didn’t even want to be anything. She just wanted to be able to sit in a room and not feel tortured by it, which is sort of the human condition in general. Eileen isn’t dreaming of leaving home and making it in the big city on Broadway. She just wants to go and eat a banana, you know?” Ottessa Moshfegh on her new novel, Eileen, for The Rumpus.
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