This week poet Mark Baumer was struck and killed by an SUV while walking barefoot across the country. Baumer, 33, began his cross-country walk to raise awareness about climate change, and was documenting the journey on his blog (as well as Instagram and YouTube). Florida, where he was killed, was recently ranked “the most dangerous place for pedestrians” in the United States.
“Life is weird and dumb and restrictive, but a poem can be whatever the hell you want it to be for god’s sake. Other people will always have opinions, they’re just really none of my business.” In an interview at the Lit Hub, Tommy Pico talks about poetry and his creative process.
“Diversity matters. Not only in what we look like, or what religion we practice, or in whom we love, but also in how we live our lives, including the order in which we go about things, the seasons in which we are able to create art.” Robin Black wonders “What’s So Great About Young Writers?” in a piece for the New York Times. Pair with our own series celebrating writers who got their start after 40.
“[A]ny discussion of craft does not take place in a vacuum – that race is part of one’s lived experience and how we see ourselves and are seen does impact how and what we write.” Poet Neil Aiken puts together an absolutely indispensable list of texts – books, essays, lectures and beyond – on the craft of writing by writers of color. See also: our own Edan Lepucki‘s impromptu syllabus of craft readings.
Are people losing interest in fiction that “offers more questions than answers?” In her book Thirteen Ways of Looking at the Novel, Jane Smiley suggested that modern readers have little taste for uncertainty. At The Rumpus, Rob Roberge asks how much this contributes to popular disinterest in literature.
We’ve written before about various rare recordings of authors reading that occasionally surface on the internet (a sample here) but today we add a new author: James Joyce. Open Culture has posted two recordings of the author reading from Ulysses and Finnegans Wake, and while the audio quality is exactly what you would expect for recordings made in the 1920s, we still recommend listening.
“There needs to be a literary Juneteenth. We can’t rely on publications and presses that have, through the actions and complicity of their leadership, proven oppressive. For history to avoid repeating itself, we need to define sustainability for ourselves. This could mean expanding existing infrastructure, forming new platforms, or simply self-publishing. None of those things are as easy as plugging into what already exists, but given the state of the field, there needs to be a deep interrogation of what already exists to see if it truly values us, sees us.” Casey Rocheteau on the restorative justice of publishing, over at The Offing.