Originally, the film 2001: A Space Odyssey included more narration by co-writer Arthur C. Clarke, whose short story “The Sentinel” was the basis for Stanley Kubrick’s script. At the last minute, Kubrick decided to cut them out, which led to Clarke leaving the US premiere halfway through. In a piece for The New Statesman an old friend of Clarke’s explores his side of the story. You could also read Ted Gioia on a weirdly predictive ’60s sci-fi novel.
Out this week: Alice & Oliver by Charles Bock; Our Young Man by Edmund White; Now and Again by Charlotte Rogan; Thomas Jefferson Dreams of Sally Hemings by Stephen O’Connor; and The Bricks That Built the Houses by Kate Tempest. For more on these and other new titles, go read our Great 2016 Book Preview.
Here’s a treat for all you literary legal buffs. A judge in the Middle District of Florida denied a request for a continuance in a murder-for-hire trial. But wait, it gets better. The defense attorney, Frank Louderback, is a perennial contestant in Hemingway Look-alike Society’s annual Ernest Hemingway Look-alike Contest, held in Key West each year, and the purpose of Louderback’s continuance was so he could travel to the Conch Republic for the competition. The judge denied the order by citing Big Papa himself. (via Nate Harris)
“Over the past thirty-five years alone, language from Frost’s poem has appeared in nearly two thousand news stories worldwide, which yields a rate of more than once a week. In addition, ‘The Road Not Taken’ appears as a title, subtitle, or chapter heading in more than four hundred books by authors other than Robert Frost, on subjects ranging from political theory to the impending zombie apocalypse.” David Orr writes for The Paris Review about Robert Frost’s “The Road Not Taken,” one of the most misread poems of the English language.