“For about 15 years, every time I had a really good dance party that went late, with people lolling around drunk and exhausted, at about 2 a.m., I would hand out paper and ask everyone to draw a vomiting cat. . . . I ended up with an incredibly thick file of drawings, some by people who went on to be published cartoonists and writers.” The New York Times reports that (Year in Reading alum) Jonathan Lethem has sold his papers to Yale University’s Beinecke Rare Book & Manuscript Library, a trove that includes comic books, manuscript drafts, notes, letters, and yes, drawings of vomiting cats. You can read our review of Lethem’s Dissident Gardens, which may or may not feature hairballs in a crucial plot point, here.
Wells Tower is having himself a great week, and it stands to reason that when he’s having a good week, we’re all having one as well. After all, we get to ponder the potential of the script Tower wrote for You Shall Know Our Velocity, an upcoming film based on Dave Eggers’s novel of the same name. We also get to read Tower’s Garden & Gun piece on “the nervous work of owning – and finally loving – a Chihuahua.” And as though that wasn’t enough already, we also get to savor Tower’s gripping feature story in the latest GQ, “Who Wants to Shoot an Elephant?”
“I grew up hearing my father digging into words for images that will stretch the limits of life for my siblings and me. In my father’s mouth, bitter, rigid words become sweet and elastic like taffy candy. His poetry shields us from the poverty of our lives.” Kao Kalia Yang for The Literary Hub on learning to understand her blue-collar father as a legitimate literary force.