“For about 15 years, every time I had a really good dance party that went late, with people lolling around drunk and exhausted, at about 2 a.m., I would hand out paper and ask everyone to draw a vomiting cat. . . . I ended up with an incredibly thick file of drawings, some by people who went on to be published cartoonists and writers.” The New York Times reports that (Year in Reading alum) Jonathan Lethem has sold his papers to Yale University’s Beinecke Rare Book & Manuscript Library, a trove that includes comic books, manuscript drafts, notes, letters, and yes, drawings of vomiting cats. You can read our review of Lethem’s Dissident Gardens, which may or may not feature hairballs in a crucial plot point, here.
Tony Tulathimutte offers advice on lowering word count: Merge scenes, murder characters, quit writing altogether: “merge scenes, murder characters, ‘start as close to the end as possible’ (Kurt Vonnegut), quit writing altogether.” Pair with this Millions piece on writing slowly and by hand.
Read here, in the University of Washington’s alumni magazine, about how Marilynne Robinson approaches a book’s essence as “an elaborate needlepoint of decisions and observations”; how novels visit upon her as surprises; and how her recent move to New York might spawn yet another gift to readers.
It’s just been announced that The Sound of Things Falling by Colombian author, Juan Gabriel Vásquez, translated from the Spanish by Canadian Anne McLean, is the winner of the 2014 International IMPAC DUBLIN Literary Award (and the €100,000 prize money). We discussed the Prize’s shortlist when it was released back in 2013, and profiled The Sound of Things Falling in our “Great Second-Half 2013 Book Preview.” Congratulations to Juan Gabriel Vásquez, and be sure to check out his prize-winning novel!