People Who Eat Darkness author Richard Lloyd Parry’s forthcoming book on the Tōhoku earthquake and its aftermath, Ghosts of the Tsunami, will be released some time in late summer/early fall, and BBC Radio put together a 30-minute teaser to tide you over until then. You can also check out Parry’s moving yet unsettling piece for the London Review of Books.
Ghosts of the Tsunami
Please, Sir, I’d Like Some More Time
Recommended Reading: a piece from the New York Review of Books blog on modern attention spans and what they mean for literature. Hint: it’s not looking too promising. Tim Parks closes with a prediction that “the novel of elegant, highly distinct prose, of conceptual delicacy and syntactical complexity, will tend to divide itself up into shorter and shorter sections, offering more frequent pauses where we can take time out. The larger popular novel, or the novel of extensive narrative architecture, will be ever more laden with repetitive formulas, and coercive, declamatory rhetoric to make it easier and easier, after breaks, to pick up, not a thread, but a sturdy cable.”
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New Lethem
Did you know Jonathan Lethem‘s a really good essayist? Thought so. Did you know he has a 450-page collection, The Ecstasy of Influence, coming out in November? Me neither. An amuse-bouche, on Norman Mailer, is up at the L.A. Review of Books.
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iCat
The first feline review of the iPad is in. According to Iggy the cat, the game Noby Noby Boy and the Magic Piano iPad ap are quite enjoyable (c/o Kotaku).
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“Unfilmable” Novel to be Filmed
Salman Rushdie’s “unfilmable” novel Midnight’s Children, winner of the “Booker of Bookers,” is apparently coming to the big screen.
The Annotated Frank Sinatra
We didn’t think it was possible to make Gay Talese’s famous Esquire profile “Frank Sinatra Has a Cold” any better, but Talese recently annotated the article for Nieman Story Board.
Cleaved in Two
“As I let the shotgun drop the butt hit the bricks and the second shell fired into me…” This excerpt from Homero Airdjis’s upcoming The Child Poet, is fraught with elements of tension and discovery. Something of a künstlerroman, the book tracks Airdjis’s artistic and poetic development from his boyhood through the present day.
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