People Who Eat Darkness author Richard Lloyd Parry’s forthcoming book on the Tōhoku earthquake and its aftermath, Ghosts of the Tsunami, will be released some time in late summer/early fall, and BBC Radio put together a 30-minute teaser to tide you over until then. You can also check out Parry’s moving yet unsettling piece for the London Review of Books.
Ghosts of the Tsunami
In Good Standing
This one goes out to all you procrastinators out there. A woman in Auckland, New Zealand has just returned a library book (Myths and Legends of Maoriland) a cool sixty-seven years late–she had “been meaning to return it” for decades. Hopefully she didn’t leave any boogers.
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Saying Without Saying
Giles Harvey discusses the ways in which Anton Chekhov’s characters — as dramatized in his stories and a new stage production — “long to express their innermost desires … but instead they find themselves saying things like, ‘Why did I go out to lunch?’ “
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On the Day Job
Infographic of the Week: Famous authors had day jobs, too. Check out this infographic from Adzuna to find out what J.M. Coetzee, George R.R. Martin, J. K. Rowling, and more did before (or while) they published novels. Our own Emily St. John Mandel writes about the struggle to balance a day job and a creative life.
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Tuesday New Release Day: Larson, Nesbø, Brown, Earle, Udall, Marlantes
Purveyor of popular nonfiction Erik Larson has a new book out this week, In the Garden of Beasts: Love, Terror, and an American Family in Hitler’s Berlin. The Snowman by Jo Nesbø is a new entry in the increasingly popular Scandinavian thriller genre. Inward-looking graphic novelist Chester Brown’s latest, Paying for It is out, and musician and actor Steve Earle can now add “novelist” to his resume with the release of I’ll Never Get Out of This World Alive. And new in paperback are a pair of big books, Brady Udall’s The Lonely Polygamist and Karl Marlantes’s Matterhorn.
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“I don’t believe the reader needs to know anything about me.”
Ben Lerner has a story [subscription required] in this week’s New Yorker that, like his debut novel Leaving the Atocha Station, features a protagonist named The Author. The magazine interviewed Lerner about the invitation to blur his fiction with his autobiography. He says that his work in an exercise in “activating those questions in peculiar ways—but the questions, not the answers, are what strike me as interesting.”
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Les Mosquees
Recommended Reading: Adam Shatz on Michel Houellebecq’s novel Submission.
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