A voracious reader named “Chuck Finley” was such a prolific library patron that he singlehandedly increased a Florida branch’s circulation by 3.9%. But there’s a problem: he’s not real. (h/t Kirstin Butler.)
Ghosts in the Stacks
Rough Starts
We’ve talked about great opening lines before, but what about the rough starts? The American Scholar has listed the “Ten Worst Opening Lines” and believe it or not, they’re well worth reading.
Pale Fire
You can’t write about Robert Lowell without writing about mental illness — the poet went through many stretches of mania and psychosis in his life. In the Washington Post, Michael Dirda reads a “medico-biography” of Lowell, which takes a full measure of his lifelong illness and its consequences.
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Tuesday New Release Day: Lethem, Rush, Dixon, Vann, McDermott, Harding
Out this week: a new novel, Dissident Gardens, by Year in Reading alum Jonathan Lethem; Subtle Bodies by Norman Rush; His Wife Leaves Him by Stephen Dixon; Goat Mountain by Year in Reading alum David Vann; Someone by Alice McDermott; and Enon by Paul Harding, which Joseph M. Schuster wrote about for The Millions yesterday.
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Tuesday New Release Day: Eggers; Gaiman; Murphy, Upadhyay; Hastings
Dave Eggers has a new novel out this week, while Neil Gaiman has an illustrated version of a previously published story on shelves. Also out: I Love You More by Jennifer Murphy; The City Son by Samrat Upadhyay; and The Last Magazine by the late Rolling Stone reporter Michael Hastings.
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The Ghost of Playboy’s Literary Past
“We editors told ourselves the naked women were merely carnival barkers: they got an audience into the tent, but we kept them with the content.” In the Guardian, Playboy‘s former fiction editor Amy Grace Loyd reveals what it was like to work at the magazine and how she commissioned work from writers like Donna Tartt, Margaret Atwood, and Junot Díaz. Read our review of Loyd’s debut novel, The Affairs of Others.
How to Write Like a Cartoonist
“Pop Quiz: Which word is funnier, observe or stalk?” Scott Adams, creator of “Dilbert,” gives some tips on how to write like a cartoonist.
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