Midwestern investors hope the production of domestically-farmed Asian carp can give rise to “the future Zappos of fish processing,” but such optimists would be wise to safeguard their aquatic livestock against would-be carp thieves.
“But was I actually reading? I regarded myself as a reader, but were these really books?” In LitHub, James Tate Hill pens an essay about reading while visually impaired and the questions it raises in a print book obsessed world. Pair with: our own Bill Morris on hearing an actor narrate his novel’s audiobook.
“When I want to be ambushed, captured, thrust into a strange and vivid world, and tossed aloft until I cannot stand it, until everything is at stake and life feels almost unbearably vivid, I do something simple. I read short stories.” Electric Literature has posted Ben Marcus‘s “paean to the contemporary American short story,” which doubles as the introduction to New American Stories and does a pretty good job of capturing just what it is we love about reading fiction.
“A novel is a trek home from the desert, sometimes a journey you wish you had never started. Exhausting and humbling, just occasionally wonderful. But a short story can come from a deeper part of the cave.” Jane Gardam on why she prefers writing short stories instead of novels in The Guardian. Pair with Lisa Peet’s essay on Gardam’s organically grown characters.
In an interview with Vice, Joy Williams explains that writing gives her “no happiness”. Pair with an interview with our own Hannah Gersen, who “would have stopped [writing] a long time ago” if she didn’t love it. You could also read Nick Ripatrazone’s recent article on fifty reasons to read Williams.