To mark the end of the Obama years, the crew at n+1 rounded up their best writing from his presidency. Head on over to read Aziz Rana, George Blaustein, and more.
“A ‘Complete Poems’ is a death certificate and memorial combined. After the Selected and the Collected, the Complete marks the poet’s official demise and at the same time erects a carven monument designed to outlast the ages.” At The Guardian John Banville reviews The Complete Poems of Philip Larkin which will be out on these shores in March.
In a By Heart piece for The Atlantic, Harriet Lane writes about the “bleak precise nature” of Philip Larkin‘s poetry (what Stephen Akey called “The Poetry of Mental Unhealth” in a Millions review) and about the power inherent in writing fiction. “In my everyday life I have no control, really: who does? But on paper, I hold all the cards. Fiction provides you with a way to shape a world, to exert the kind of power and agency our real lives so often lack.”
Steve Almond at The Rumpus provides a “meditation on editors, ambition, and angry dependence” in reaction to the media’s coverage of the suicide of Kevin Morrissey, managing editor of The Virginia Quarterly Review.
Just in time for today’s Booker announcement, a pair of shortlisters are now (or will be tomorrow) available stateside: In a Strange Room by Damon Galgut and The Finkler Question by Howard Jacobson. Ian Frazier’s big travelogue (generously excerpted in the New Yorker) Travels in Siberia is out, as is Adam Levin’s massive The Instructions from McSweeney’s. Three more: Djibouti by Elmore Leonard, How to Read the Air by Dinaw Mengestu, and a gorgeous Library of America edition of “six novels in woodcuts” by pioneering graphic novelist Lynd Ward.