Can’t get enough of Orange is the New Black? Neither could The Missouri Review. Their new blog series, Literature on Lockdown, shares narratives from those who teach or write in prisons. This week’s post comes from Ace Boggess, a poet who spent five years in a West Virginia prison. “One thing about being a writer in prison is that you have not lost everything. You still have that driving need to speak whatever truth you know in whatever way you can. No one can take that away from you, not even the State.”
The fiftieth anniversary of Who’s Afraid of Virginia Woolf? is coming up on October 13th, so to get ready, pour yourself a drink (or five), don your best academic tweeds, and read these interviews with playwright Edward Albee and audience members who attended the play’s original 1962 run.
Waxwing, a new literary journal, has published its first issue online. The journal’s editors state that their mission is “to include American writers from all cultural identities — in terms of race, ethnicity, indigenous tribe, gender, class, sexuality, age, education, ability, language, religion, and region — alongside international voices, published bilingually.”
“When is it plagiarism, when is it homage? Especially in creative writing, I get tripped up on this distinction. A trick for writer’s block: write an imitation, steal moves, learn by mimicry. For my own poem-writing, I turn to other texts all the time. I pull language, take a word I like, sometimes fragments of phrases and twist them. I get inspired, I want to model after poems I fell madly for.” On discovering another writer’s plagiarism.