“It’s a book about fathers that has few good ones on display. It’s a book about language that cannot decide among many. It’s a book about bargains in which no character makes a wise one.” On Aravind Adiga’s new novel Selection Day.
*Cricket*
Death by Bookcase
At the Telegraph, Sir Tom Stoppard briefly explains his desire to be killed by a falling bookcase.
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Five for the Price of One
Looking for a summer pen pal or five? Our friends at The Rumpus have put together a program in which you write one letter and receive five in return. Act fast: participating letters must be postmarked no later than today.
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Reading Dickens in Lagos
George Packer at Lapham’s Quarterly writes of meeting a young Burmese reader of Charles Dickens: “‘All of those characters are me,’ [he] explained. ‘Neither a British nor American young man living in the twenty-first century can understand a Dickens as well as I can…I am more equipped to understand Dickens than modern novels. I don’t know what is air conditioning, what is subway, what is fingerprint exam.’” (via Book Bench)
In Defense of First Novels
What’s it like to have Jacques Barzun edit your first novel? Besides terrifying, of course.
Not Just the Mind’s Eye
A new Tumblr, The Composites, takes descriptions of characters from novels and feeds them through police composite sketch software to produce images of their “faces.” Creepy and cool. (via kottke)
Arm on the Armrest
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Temper That Ego. You Need Luck As Well.
A few weeks ago, Benjamin Hale wrote an article for us about the trivialities and happenstance associated with publishing prizes. His point was that legacy was more important than short-lived fame. In a way, his piece is nicely supplemented by Tom Bissell’s essay on the luck and chance necessary to attain literary success.
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