“It’s a book about fathers that has few good ones on display. It’s a book about language that cannot decide among many. It’s a book about bargains in which no character makes a wise one.” On Aravind Adiga’s new novel Selection Day.
*Cricket*
Splendid, Vibrant
Recommended Reading: Tolu Ogunlesi on how “Nigeria’s literary scene has burgeoned into this splendid, vibrant space.”
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Why Barry Writes
In the pages of Oxford American, the late Barry Hannah confesses to writing “out of a greed for lives and language.”
Revisiting Olive with Elizabeth Strout
Elizabeth Strout discusses the surprising popularity of Olive Kitteridge, and why she revisited the character in her new book, Olive, Again.
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Post-Apocalypse Now
“I’ve turned paranoid lately. When I’m in an airport, I look at the people around me at the gate, trying to suss out who might make a good ally if things went bad. I carry two plastic tubs full of warm clothes, hiking boots, and first-aid supplies in the back of my Subaru at all times. I have as large a volume of canned and dry goods in my pantry and laundry room as the shelves will hold.” Rebecca Onion for Slate on the appeal and contagion of “prepper fiction.” Pair with our review of Claire Vaye Watkins‘s Gold Fame Citrus, one of the recent bumper crop of apocalyptic narratives.
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