“It’s a book about fathers that has few good ones on display. It’s a book about language that cannot decide among many. It’s a book about bargains in which no character makes a wise one.” On Aravind Adiga’s new novel Selection Day.
In her “Classic Russian Writers: For Teh Internets” column at McSweeney’s, KA Semënova “updates classics of Russian literature with modern technologies to see if the insights of those writers hold up today.” Her first two pieces explore Anton Chekhov’s “The Lady with the Dog” and Vsevolod M. Garshin’s “The Signal.”
Last year, Millions staffer Bill Morris reported on a group of Elaine’s regulars seeking “ways to repay Elaine [Kaufman] for all the encouragement she gave to writers and other creative people” at her restaurant. What emerged was The Table 4 Writers Foundation, and this year the group is ready to award its latest batch of $2,500 grants to promising writers. The application deadline is October 20.
After thirty years, Larry Kramer has finished his novel The American People, which he prefers to consider a new form of nonfiction. In the novel, a narrator based largely on Kramer writes a historical expose, also titled The American People, in which numerous American icons are described as having been gay. As Kramer says, he wrote the book in part out of a feeling that gay people are excluded from history books.
“When, like Alice Munro, you feel your way forward, sniffing and digging and groping toward a truth virtually beyond words, it takes a long time. And the structures, organic to that process, are as miraculous and indicative and expressive of that truth—one of the deeper truths of human life—that fiction is all about.” Elizabeth Poliner explains how mapping Alice Munro’s stories made her a better writer. Never read Munro? Check out our beginner’s guide to her stories.