“It’s a book about fathers that has few good ones on display. It’s a book about language that cannot decide among many. It’s a book about bargains in which no character makes a wise one.” On Aravind Adiga’s new novel Selection Day.
*Cricket*
“The contract gave me the last word on spelling, punctuation, grammar, usage and so on.”
If you’ve ever battled an editor over punctuation, or found yourself calculating just how long it’d take to burn your copy of the Chicago Manual of Style, you’ll be delighted by this oldie-but-goodie blog post by Millions favorite Helen DeWitt.
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Unpredictable Lit
“These people may not take you seriously. And your boss might not either. Or your dentist or your best friend from middle school. But you who does take you seriously? Dictators. Dictators take you very seriously. Mao Zedong and Joseph Stalin, Pol Pot and Augusto Pinochet, all rounded up writers and artists in short order. They could not afford to have the unpredictability of literature at large while they were trying to create a totalitarian state.” Wendy Willis on subversion through writing for The Rumpus.
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Tuesday New Release Day: Wray; Tennant-Moore; Wink; Sorrentino; de Kerangal; Gustine; Barbery; Silva; Warlick; Enrigue; Amdahl
Out this week: The Lost Time Accidents by John Wray; Wreck and Order by Hannah Tennant-Moore; Dog Run Moon by Callan Wink; The Fugitives by Christopher Sorrentino; The Heart by Maylis de Kerangal; You Should Pity Us Instead by Amy Gustine; The Life of Elves by Muriel Barbery; Square Wave by Mark de Silva; The Arrangement by Ashley Warlick; Sudden Death by Álvaro Enrigue; and The Daredevils by Gary Amdahl. For more on these and other new titles, go read our Great 2016 Book Preview.
P.D. James Passes Away
Author P.D. James, “the Queen of crime writing” and subject of one of our Post-4o Bloomers essays, has passed away, reports the BBC.
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A Front-Row Seat
For the most part, Alexis de Tocqueville had good things to say about the young United States in his book Democracy in America, which is probably why we tend to forget that he thought Americans weren’t funny. What de Tocqueville missed, according to a new history of American humor, is the extent to which American funniness emerged from subversive groups of outsiders. In Bookforum, Ben Schwartz takes stock of the arguments in American Fun.
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