Two more words of the year as 2016 comes to a close: Merriam-Webster has chosen “surreal” while The Guardian, in an act of timeliness, nominates “unpresidented.”
Words of the Year Watch, Con’t
Pink Matter
No doubt inspired by the musical stylings of Ricky Rozay (aka Rick Ross), Peter Foges set out to investigate the origins and present state of pink champagne.
On Creativity and Psychiatry
Good news for you! If you’re a creative person, you’re “no more likely to suffer from psychiatric disorders than other people.” Bad news for your family! If you’re a creative person, you’re “more likely to have a close relative with a disorder, including anorexia and, to some extent, autism.”
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Whose Tale
“At first blush, bringing an eight-year-old to one of William Shakespeare’s quirkier plays in an effort to help her see herself, an Asian American girl, in popular culture did seem a rather odd decision.” Nicole Chung for Hazlitt on The Winter’s Tale, representation, and parenting in the age of Trump. And wouldn’t you know it, we have a piece specifically about that very play – “three/fifths wintry tragedy, two/fifths vernal comedy, and wholly a masterwork” – right here.
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Independent Foreign Fiction Prize 2011 Shortlist Announced
The shortlist for the Independent Foreign Fiction Prize 2011 has been announced. This list features Visitation by Jenny Erpenbeck, The Museum of Innocence by Orhan Pamuk, Red April by Santiago Roncagliolo, and three other books by Spanish and Norwegian authors.
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Old Favorites
Looking for more thoughts on My Life in Middlemarch to supplement today’s interview? At Salon, Laura Miller reviews Rebecca Mead’s book, which she calls a “moving demonstration” of Middlemarch’s power. (You could also read Adelle Waldman’s Year in Reading piece about the novel.)
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…And If You Still Want More on The Pale King
I can’t recommend John Jeremiah Sullivan‘s 7,000-word article on The Pale King highly enough – not because he gets everything right, but because it’s what long-form writing about books should look like: passionate, lucid, wide-ranging, and awfully fun to read. I salute GQ for running it, and hope to see more literary coverage there in the future.