“The hijacking of public language, as is happening now, is a way to shift perception—to bend and control thought—and must be resisted.” Summer Brennan pens a powerful first entry for her twice-monthly column about language and power at The Literary Hub. Read also our own Lydia Kiesling, who tells us, “I have to believe that literature can be a weapon of a sort — it explodes comfort even while it delivers comfort; it reveals hypocrisy in a way that the mere presentation of facts often cannot.”
Why Words Matter
Dear Diary
Lena Dunham’s next book looks to be every bit as divisive as her first. The chapbook, Is It Evil Not To Be Sure?, is a collection of Dunham’s college diaries from 2005 to 2006 — or basically, that recurring nightmare you have that somebody might find and read your journal.
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Poet Cops
“The worlds of poetry and law enforcement would seem to share little. But a few poet cops hope to change that perception, one line at a time.”
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Beat That
Peter Ackroyd, a man who T Magazine writer Jody Rosen calls “[an] insanely prolific, controversial and eccentric novelist and historian,” has published, at last count, nearly 6,500 pages of text. That incredible figure equates to more than fifty books, many of them with titles like Dickens: Public Life and Private Passions. (At present, he’s working on a biography of Alfred Hitchcock.)
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The David Foster Wallace Conference
The Howling Fantods live-blogged last week’s DFW conference at CUNY.
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“It takes time.”
Recommended Reading: Guernica has an excerpt from Rebecca Solnit’s new book, Men Explain Things to Me.
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