Check out this interview with Andi Zeisler, author of We Were Feminists Once: From Riot Grrrl to CoverGirl, the Buying and Selling of a Political Movement. “Capitalism, ultimately, it’s not about equality, it’s not about social justice. It doesn’t care about fixing fundamentally unequal systems that impact humans on an everyday level. Critical thinking is the really important skill, to [ask], does it seem like this is a company or a brand that really cares about women?” Our own Edan Lepucki’s piece on feminist anthems complements the interview nicely.
It’s been forty years since a burst of new critical attention gave Anthony Trollope a new life. What is it about him that makes his work enduringly relevant? In the latest New Yorker, Adam Gopnik argues that the author was a master of gossip. You could also read Sara Henary on the author’s two hundredth birthday.
New releases this week: All Is Forgotten, Nothing Is Lost by Lan Samantha Chang, “a writing-school success story” according to the New York Times in its review, Obama’s Wars, the latest book by legendary reporter Bob Woodward, Listen to This, a collection of essays published by music critic Alex Ross during his 12-year career at The New Yorker, and (almost new) is David Grossman’s To the End of the Land, as reviewed by Rayyan Al-Shawaf for The Millions.
A memoir by Winnie-the-Pooh author A.A. Milne shows a writer frustrated at how his creation undermined his adult literary cred. Republished 70 years after it went out of print, It's Too Late Now reveals a trapped Milne wishing for more control over his own narrative: “I wanted to escape from [children’s books] as I had once wanted to escape from Punch; as I have always wanted to escape. In vain. England expects the writer, like the cobbler, to stick to his last.”