Out this week: Small Admissions by Amy Poeppel; Books for Living by Will Schwalbe; and Miniatures by John Scalzi. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
Tuesday New Release Day: Poeppel; Schwalbe; Scalzi
The Other Bill of Rights
“I can read whatever I want. No one can stop me. I can help other people read what they want. And no one can stop them.” Zoe Fisher for The Rumpus about being “a horny queer teenager” who found her home in libraries. Pair with a controversial piece from our own pages this week by Douglas Koziol, a bookseller exploring what to do with “a book that you not only find objectionable but also believe actually dangerous in the lessons it portends amidst such a politically precarious time?”
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First Cloud Atlas, Now This
Apparently David Magee, the screenwriter behind the Life of Pi movie, declared the book “unfilmable” before he was asked to adapt it.
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First Winners of the Andrew Carnegie Medals for Fiction and Nonfiction Announced
This past Sunday the American Library Association gave out the first Carnegie Medals for Excellence in Fiction and Nonfiction to Robert K. Massie’s Catherine the Great: Portrait of a Woman and Anne Enright’s The Forgotten Waltz. Also be sure to check out our interview with Enright.
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Language is a Passport
Haruo Shirane writes for Public Books about writing and publishing in the age of English. As he explains it, “For those living in the Anglosphere, no barrier seems to stand between their world and the many other worlds that now appear at the push of a button. But for those outside that world, particularly in non-European countries, the literary and linguistic consequences of globalization in the age of English can often be severe.”
A Belated Welcome
A belated welcome to the newest Millions staff writer Janet Potter. Janet is a Chicago writer and indie bookstore vet who’s already written several pieces for us on a number of books, most notably her controversial takedown of Stieg Larsson.
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Another View
“But we are lured into believing that the first person is the manifestation of an authentic self. Or: we fall for the first person because we feel so little coherence in our own internal lives, and immersing ourselves in a sustained first person narrative gives us the false reassurance of an illusion.”
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