“I can read whatever I want. No one can stop me. I can help other people read what they want. And no one can stop them.” Zoe Fisher for The Rumpus about being “a horny queer teenager” who found her home in libraries. Pair with a controversial piece from our own pages this week by Douglas Koziol, a bookseller exploring what to do with “a book that you not only find objectionable but also believe actually dangerous in the lessons it portends amidst such a politically precarious time?”
This past Sunday the American Library Association gave out the first Carnegie Medals for Excellence in Fiction and Nonfiction to Robert K. Massie’s Catherine the Great: Portrait of a Woman and Anne Enright’s The Forgotten Waltz. Also be sure to check out our interview with Enright.
Haruo Shirane writes for Public Books about writing and publishing in the age of English. As he explains it, “For those living in the Anglosphere, no barrier seems to stand between their world and the many other worlds that now appear at the push of a button. But for those outside that world, particularly in non-European countries, the literary and linguistic consequences of globalization in the age of English can often be severe.”
“But we are lured into believing that the first person is the manifestation of an authentic self. Or: we fall for the first person because we feel so little coherence in our own internal lives, and immersing ourselves in a sustained first person narrative gives us the false reassurance of an illusion.”