In addition to the Jewish refugees who emigrated to North America in the years leading up to World War II, there was also a sizable contingent who fled East. In particular, an estimated 30,000 refugees journeyed to Shanghai between the years of 1933 to 1941. With them, the refugees brought all sorts of valuables, heirlooms, and artifacts. One family brought over 2,000 books. Now, over 70 years later, one Shanghai family is asking for help locating the owner of that library. Part One; Part Two. (h/t Bint Battuta)
Recommended Viewing: This installment of The Paris Review’s “My First Time” series, in which poet Ben Lerner remembers “working under the sign of crisis” and attempting to find a publisher for his first book, The Lichtenberg Figures. A couple of Lerner-related pieces from The Millions: a review of his newest novel, 10:04, and a Year in Reading from back in 2014.
Recommended Reading: These fifteen short texts in search of Hilla Becher, photographer and life/artistic partner of Bernd Becher: “One of the creations of her and Bernd’s artistic partnership was the seemingly perfect fusion of their visions. ‘No, there is no division of labor,’ they told an interviewer in 1989, in a conversation that pointedly doesn’t designate which of them is speaking. ‘Outsiders cannot tell who has taken a particular photo and we also often forget ourselves. It simply is not important.'”
Keeping track of the art mentioned in Donna Tartt’s The Goldfinch is almost as difficult as keeping track of Boris. Fortunately, Laura Petelle made a Pinterest board of all the art in the novel, complete with excerpts. Start reading from the bottom up, and beware of spoilers.