Out this week: Small Admissions by Amy Poeppel; Books for Living by Will Schwalbe; and Miniatures by John Scalzi. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
Tuesday New Release Day: Poeppel; Schwalbe; Scalzi
Catton Craze
Eleanor Catton just became the youngest person ever to win a Man Booker, but we were fans of her long before. Our own Emily St. John Mandel included Catton’s debut novel The Rehearsal on her list of disorienting reads. Paul Murray also recommended the book on his 2012 Year in Reading.
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‘Confessional Writing’ Is a Tired Line of Sexist Horseshit
“If I’m writing something about my period, it doesn’t mean that I’m not an intellectual. I can write an intellectual essay about my navel or a whole book about my period.” The Literary Hub has a transcript of Red Ink’s panel discussion on literary misfits, including Marcy Dermansky, Melissa Febos, Michele Filgate, Sarah Gerard, Emily Raboteau, and Lidia Yuknavitch. And we will never, ever miss a chance to mention Yuknavitch’s essay in our own pages about grief.
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“It really is a different life”
Donna Tartt has a new novel out, and with it come new interviews. At Salon, Laura Miller sits down with the author behind The Secret History.
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Wherefore art thou Luke Skywalker?
Good versus evil, a hero coming of age, wars, and sibling love — Star Wars is the play William Shakespeare never wrote. Fortunately, Ian Doescher rewrote the tale of the Jedi in iambic pentameter in William Shakespeare’s Star Wars. The best part is the book trailer, which features Shakespearean actors wielding lightsabers.
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Return of the Ferrante
“According to an interview with her publishers in the Italian literary newsletter Il Libraio, translated in The Guardian, Ferrante is putting pen to paper once more.” A year after Elena Ferrante‘s alleged true identity was revealed by a journalist, the intensely-private author is writing again but has no plans to publish a novel in 2018. Pair with: staff writer Marie Myung-Ok Lee‘s essay on Ferrante, privacy, and woman writers.
Nonfiction for Fiction Writers
“I think writing about the real world, as we live in it today, is very difficult; many writers try to escape it. But then what books will be the classics from our generation? Which of them will be the commentaries on our lot?” William Ruof argues that studying nonfiction may make the best fiction writers in a piece for The State Press.
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