Out this week: Everything Love Is by Claire King; They Are Trying to Break Your Heart by David Savill; The Moravian Night by Peter Handke; All Joe Knight by Kevin Morris; Of All That Ends by Günter Grass; and A Woman Looking at Men Looking at Women by Siri Hustvedt. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
Tuesday New Release Day: King; Savill; Handke; Morris; Grass; Hustvedt
To the Literary Racetracks!
It’s that time of year again, readers. It’s time to stock up on gossip, skim through pieces on your favorite writers and populate your bookmarks with pages from Ladbrokes and Intrade. It’s time, in other words, to prognosticate the Nobel Prize winner, which Ladbrokes predicts will be the novelist Haruki Murakami. If you read Ben Dooley’s review of 1Q84, you might have placed your bets already.
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Reading Tonight at Housing Works
New York-area readers are invited to come tonight to Housing Works bookstore in SoHo, where I’ll be appearing at 7 p.m. alongside the Norwegian wunderkind Johan Harstad. We’ll be reading from and discussing A Field Guide to the North American Family and Buzz Aldrin, What Happened to You in All the Confusion? Music courtesy of Brooklyn’s The Sweaters (not to be confused with The Cardigans.)
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(Do Not) Steal This Book
Everything you’ve ever wanted to know (but were afraid to ask) about book sales — from what the heck even constitutes a sale, to standard print runs, to author earnings per sale — from Lincoln Michel at Electric Literature.
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The Readability Myth
Is readability a myth? In an article for The Atlantic Noah Berlatsky argues that there are no “easy” or “difficult” books, or rather that these are relative terms – a book that gives one person fits may be light reading for someone else. His argument pairs interestingly with our own Emily Colette Wilkinson‘s “Difficult Books” series.
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Replacement Burrito
Recommended Reading: This moving essay on secrecy, shame, and binging by Michael Sinert over at The Rumpus: “Our task is to de-son-of-a-bitch all this.”
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Curiosities: Raw Power
RSVP: We’ve already had several RSVPs for our NYC indie bookstore walking tour. Get all the details via our announcement post.People are still adding to our collaborative literary Atlas. Recent additions include several non-bookstore literary spots in the Midwest, including the Kate Chopin House and the final resting place of William S. Burroughs. The Atlas itself has been viewed over 100,000 times.Panelists at the SXSW “New Think for Old Media” panel face death by a thousand Tweets.Also via Freebird: Iggy Pop explores Michel Houellebecq’s raw power.Mark Grief and Year in Reading contributor Wells Tower give far-ranging interviews in a new online journal, Wag’s ReviewHanif Kureishi discusses life after the Rushdie fatwa.A bibliography of coffee.The editor of John Updike’s book reviews remembers the writer: “he was attentive to everything.”Cathleen Schine admires Zoe Heller’s The Believers.The Village Voice praises Mary Gaitskill’s “ludicrous mastery.”In two long posts, Blographia Literaria offers a thoughtful alternative to our take on The Kindly OnesBen Okri pioneers the Twitter poem.Two books named Brooklyn enter, one book named Brooklyn leaves. (via)Tucker Carlson sounds a dissenting note on Jon Stewart in the wake of the Jim Cramer takedown.Levi Asher and Scott Esposito discuss litblog economics.At The Second Pass, Jon Fasman calls readers’ attention to Russell Hoban’s Riddley Walker, echoing John Wray’s Year in Reading contention that “Sometimes, though, a work of originality and genius slips inexplicably through the cracks.”Wray’s Lowboy, meanwhile, got the James Wood treatment at the New Yorker this week.
Review of Per Petterson’s “I Curse the River of Time”
Charles McGrath at The New York Times reviews Per Petterson’s new novel I Curse the River of Time: “…at moments when a lot of American prose seems fizzy and over-rich, the sentences in I Curse the River of Time go down like an eye-watering shot of aquavit.”
The Great Delay
From Slate comes an answer to the question: “Why did it take so long for The Great Gatsby to be recognized as a masterpiece?” Pair with our own Sonya Chung‘s review of the novel.
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Note the discussion that has ensued upon publication of Peter Handke’s MORAVIAN NIGHT
http://moravian-nights-discussion.blogspot.com/2016/08/main-moravian-night-discussion-page.html