“He represents a failure of empiricism — an unreliability arising not from the absence of rationality, but from the stubborn complexity of perception. This, I would argue, is precisely how the 2016 election went down.” In an article for The Los Angeles Review of Books, Aaron R. Hanlon argues that Cervantes’ classic provides the perfect framework for understanding contemporary America, concluding that “Don Quixote is such a player in US politics that he might as well run for office.” Our own C. Max Magee read Quixote not long after founding the site, deeming it “essential to all who wish to understand ‘the novel’ as a literary form.”
The Canadian writer Mavis Gallant passed away on Tuesday morning at the age of 91. A frequent New Yorker contributor, Gallant published two novels and ten volumes of short fiction in her lifetime, one of which, Home Truths, won the Governor General’s Award. The Globe and Mail’s obituary describes her as having “a journalist’s nose, a cinematographer’s eye and a novelist’s imagination.” (Andrew Saikali wrote about Gallant for The Millions back in 2008.)
Sarcasm makes the Internet go round. No, seriously, it basically does, and over at The Toast a linguist examines some of the strategies writers have developed, or are trying to develop, to communicate that sarcasm through writing, without the benefit of an eye-roll and a different tone of voice.
“There is something terrifying but also fascinating about contemplating the end of humanity,” and on Oct. 25th our own Edan Lepucki and Emily St. John Mandel (whose novel Station Eleven was just shortlisted for the National Book Award) will be discussing their recent apocalyptic fictions at the Texas Book Festival.