“Ms. Hazzard’s fiction is dense with meaning, subtle in implication and tense in plot, often with disaster looming: A shipwreck tears away the parents of tiny children. A man who has waited a lifetime for a woman loses her at the last moment.” Novelist Shirley Hazzard, whose several books – including The Transit of Venus and the National Book Award-winning The Great Fire – received much acclaim, has died at 85, reports The New York Times. Also worth reading, her “Art of Fiction” interview with The Paris Review from 2005.
Recommended Reading: Thomas Dylan Eaton on the Austrian writer Peter Handke.
An excerpt of the lost and recently found Alexandre Dumas novel The Last CavalierAn assessment of poetic cliches in VQR. The surprise: some actually improve your chance of getting published.Jennifer Gilmore interviews the criminally underrated Max Apple.That novelists’ strike not working out so well.Despite some withering condescension, Robert Gottlieb has interesting things to say about John Steinbeck.Penguin UK offers up some alternative storytelling techniques with its We Tell Stories site. The first is a tale by Charles Cumming told by messages inserted into Google Maps. (Thx, Mrs. Millions)Books cops like. (Thx, Laurie)The trend of the massive hyper-expensive book continues.Daniel Radosh points out that the New York Times has, yet again, published a trend piece on bloggers getting book deals.And finally… The Catalog of Unfit Toys: Finding Delight in the Defective
The Possessed: Adventures with Russian Books and the People Who Read Them, the forthcoming debut effort by sometime Millions contributor Elif Batuman, gets an intriguing write-up in Publishers Weekly.
“I always had the sneaking and sinking suspicion that there would have been no place for me … there were no Scarlett O’Haras in the Beat world. There were women, certainly, but they felt like cardboard cut-outs, something to move around, admire, shift gently out of the way when necessary. In fact, the only women Kerouac and Ginsberg seemed to genuinely respect were their mothers.” Lynette Lounsbury at The Guardian on falling in love with the Beat generation, which may or may not have loved her back.
Today is Haruki Murakami’s birthday, so what better day to announce the title of his next work, Kishidancho Goroshi (Killing Commendatore)? The novel, which is divided in two parts – Arawareru Idea (Emerging Idea) and Utsurou Metaphor (Moving Metaphor) – is slated for a late February release in Japan. As of this writing, very little is known about the novel’s plot.