“The female writers whose work has most recently come in for enthusiastic appraisal are by no means a homogeneous group; their influences, preoccupations and style vary wildly.” The Guardian profiles six women authors – Beryl Bainbridge, Anita Brookner, Angela Carter, Jenny Diski, Elizabeth Jane Howard, and Molly Keane – whose posthumous legacies continue to grow. Alix Hawley wrote a fantastic tribute to Brookner here earlier this year, noting, “[n]obody does depression quite so elegantly.”
Recommended Reading: Owen Hatherley at the London Review of Books discusses postcapitalism and a world run by clicks: “The sin of ‘original research?’ – a solecism nearly as grave as ‘citation needed’ – is another reminder that the non-postcapitalist labour of academics is the basis of nearly the entire operation. Wikipedia is less a new form of knowledge than a novel packaging of an old one.”
“If you ask around, I’m sure you’ll be able to find a really bad novel easily enough. I mean a novel by someone who has spent isolated years writing a book they are convinced is a great work of literature. And when you’re reading it you’ll know it’s bad, and you’ll know what bad truly is.” What makes bad writing so bad? Toby Litt at The Guardian investigates.
Friend of The Millions Edan Lepucki has a short story in the most recent LA Times West Magazine, “Salt Lick“. Congrats!I’ve heard of publishers throwing in a free bookmark to help sell copies of a new book, but gold?Oriani Fallaci, the fiery (and athiest) Italian journalist who recently passed away, bequethed her library to a Pontifical university.Boston Globe columnist Alex Beam takes the Sony Reader for a spin and isn’t impressed.Did you know that among this year’s finalists is the first graphic novel ever to be in the running for a National Book Award? Gene Luen Yang’s American Born Chinese has been given that honor. “I can’t say it’s a dream come true, because it never even would have occurred to me to dream it. It wasn’t in my reality,” Yang says.John Hodgman is at it again with one of the more antic Washington Post chats I’ve ever encountered. (via Books are my only friends)
“What knits together the families of Roth’s Newark are adults—some foreign-born but many the children of immigrants—who either experienced the insecurity and deprivation of the Old World themselves or heard stories about it from their own parents. What they want most is to find stability in a neighborhood, in a city, and in a country that offers them the chance at security for their families.” On Philip Roth and Newark, NJ.