“The female writers whose work has most recently come in for enthusiastic appraisal are by no means a homogeneous group; their influences, preoccupations and style vary wildly.” The Guardian profiles six women authors – Beryl Bainbridge, Anita Brookner, Angela Carter, Jenny Diski, Elizabeth Jane Howard, and Molly Keane – whose posthumous legacies continue to grow. Alix Hawley wrote a fantastic tribute to Brookner here earlier this year, noting, “[n]obody does depression quite so elegantly.”
Posthumous Praise
And the Award Goes to…
“Proulx’s deep reverence for the beauty and complexities of rural America has introduced millions of readers to the wide breadth of American life. Her commitment to crafting compassionate, honest stories has left an indelible mark on literature and created a powerful and enduring legacy.” Annie Proulx nabs the National Book Foundation’s lifetime achievement award. Check out her Year-in-Reading entry from this past year here.
Rejecting Tidy Narratives
For Lenny, Lidia Yuknavitch talks about suffering, art, and her path to writing. “I believe in art the way other people believe in God,” she says. For more of her writing, check out her Millions essay on grief that births art.
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Lit Reactor’s Literary Tattoo Contest
Do you have literary ink? No, not that kind. We’re talking tattoos. Lit Reactor wants to see your Moby-Dick-themed tramp stamps, and your Le Petit Prince-themed bicep tats.
The Room Moves Without Moving
The music video for “Sweater” by Belgian indie outfit Willow relies on an impressive balance of timing, treadmill coordination, projection, and camera-work. A lot of ground is covered in a single room. It’s positively crazy. You might even say it’s virtual insanity. (Sorry I’m not sorry.)
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Unavoidable Anachronism
What can we learn from anachronisms? That mistakes are “ultimately unavoidable – the best you can hope for is to keep them to a minimum and noticeable only by a tiny coterie of demanding experts” – and that if those mistakes are big enough, they can eventually turn into “enduring ideological constructs.”
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A New Adaptation of 1984
This week in book-to-film adaptation news: a new version of 1984 is in the works, with Paul Greengrass signed on to direct and a screenplay by James Graham.
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Wealth Retention for the Good of the Wizarding World
A while back, I pointed readers to Ayn Rand’s version of Harry Potter and the Half-Blood Prince, helpfully published by The Toast’s Mallory Ortberg. It satisfied those of you who never understood why Harry didn’t slough off his legions of parasitic friends. Now, The Toast brings us the conclusion to the series, in which Harry’s labors bring him the rewards he deserves. Sample quote: “I have earned the Elder Wand through my own achievements.”