Loving The Loved Ones

“The past fascinates me obsessively, I suppose, because it’s such a strange phenomenon. The past was the present at some point, and it was just as boring as the present. What makes it so important? What gives it that luminous, exalted quality where it becomes the past?” John Banville addresses these and many other heady questions in his new novel, The Blue Guitar.

Over on The Nervous Breakdown, a thoughtful piece from Gina Frangello on the recent lists of writers from The New Yorker and Dzanc: "The thing is: being a writer can kinda feel like never leaving high school."

After fourteen years, Bookslut is closing its doors. In a post that went up on March 9th, founder Jessa Crispin announced that the blog she started when she was twenty-three, which made a name for itself as one of the first major book sites on the web, is ceasing publication as of tomorrow, May 6th. She talks with Boris Kachka at Vulture about why it's closing, what she's learned about the publishing world, and what it was like when she started: "People who started blogging even a year after us didn’t have the same response because the audience got divided."

"A good translation, Han’s subconscious seems to suggest, is a living, breathing thing, which must be understood on its own terms, discovered from beneath the great white sheet." The New Yorker explores Han Kang's novels and the complex nature of translation. From our archives: The Millions review of Kang's The Vegetarian and an essay on what gets lost (and transformed) in translation.

It’s a truth as old as academia: graduate students moan about the lengths of their dissertations. But which grad students are most entitled to complain? Herewith, a chart that compares dissertation lengths by major.