“At a time when heated conversations about diversity and cultural appropriation in literature abound, The Loved Ones is a wondrous gift, a pleasant reminder that there are many thoughtful writers who can create believable characters of multiple races, ethnicities, and genders without relying on caricature or stereotypes.” We’re all warm inside from Necessary Fiction‘s lovely review of Millions staff writer Sonya Chung‘s novel, which we featured in our second-half 2016 book preview.
“The past fascinates me obsessively, I suppose, because it’s such a strange phenomenon. The past was the present at some point, and it was just as boring as the present. What makes it so important? What gives it that luminous, exalted quality where it becomes the past?” John Banville addresses these and many other heady questions in his new novel, The Blue Guitar.
After fourteen years, Bookslut is closing its doors. In a post that went up on March 9th, founder Jessa Crispin announced that the blog she started when she was twenty-three, which made a name for itself as one of the first major book sites on the web, is ceasing publication as of tomorrow, May 6th. She talks with Boris Kachka at Vulture about why it's closing, what she's learned about the publishing world, and what it was like when she started: "People who started blogging even a year after us didn’t have the same response because the audience got divided."
"A good translation, Han’s subconscious seems to suggest, is a living, breathing thing, which must be understood on its own terms, discovered from beneath the great white sheet." The New Yorker explores Han Kang's novels and the complex nature of translation. From our archives: The Millions review of Kang's The Vegetarian and an essay on what gets lost (and transformed) in translation.