“A colouring book, Colouring in the Lions, will head the list for children and feature vintage art from the NYPL archive. Also planned is a yet-to-be-titled picture book featuring Patience and Fortitude – the two lion statues that stand at the entrance to the library’s main building – and a YA novel based on the true story of a family who lived in the library.” The Guardian reports on a partnership between the New York Public Library and Macmillan publishers to produce five to eight books per year inspired by the library’s collections.
In an effort to get consumers to think more consciously about the “human cost” of commercial sugar production, artist Kara Walker has installed “Subtlety,” a large-scale public sculpture in Brooklyn’s iconic Domino Sugar Factory. Meanwhile, Edwidge Danticat explores contemporary labor conditions in the Dominican Republic’s cane fields.
The Critterati pets-in-literary-garb contest ends at midnight tonight! You can view a gallery of the submissions as they appear, and some of them are phenomenal. I especially like Humbert Humbert. I don’t know how these people got their animals to cooperate (drugs, probably). Big Ed and Nadine, aged six months, made it quite clear that under no circumstances would they be dressed up as Lata and Kabir from A Suitable Boy (what am I supposed to do with this tiny cardboard cricket bat now?) Henry and June was also a non-starter, but that might have been unkind to do to siblings, anyway. No one wants to see his sister chew up a garter belt. Evidently I’m not the only one to encounter massive opposition.
“I took my son to Paris fashion week, and all I got was a profound understanding of who he is, what he wants to do with his life, and how it feels to watch a grown man stride down a runway wearing shaggy yellow Muppet pants.” Michael Chabon writes a beautiful piece for GQ about going couturing with his son, Abraham. Pair with yesterday’s essay by R. J. Hernández on fashion in literary fiction.
The word “nostalgia” comes from the Greek root nostos, meaning “return home,” and algos, or “pain.” It’s painful because we cannot return home again. Ramp up the nostalgia and check out this elegy to the old school book tour by Keith Lee Morris. If we’re talking book tours, here’s a piece on the distinct personality types sure to derail your literary event.
“Why Facebook? Why this format?… The striking thing about the real Zuckerberg, in video and in print, is the relative banality of his ideas concerning the ‘Why’ of Facebook. He uses the word ‘connect’ as believers use the word ‘Jesus,’ as if it were sacred in and of itself…” Zadie Smith considers “Generation Why” and The Social Network at the New York Review of Books. Our own review of The Social Network by Sonya Chung can be found here.