“It was a remarkable scene, to witness young people collectively shatter one another’s sense of social isolation.” Clint Smith for The New Yorker‘s Page-Turner blog about teaching Invisible Man to a high school class full of undocumented immigrants.
“Publishers, writers, and readers alike really need to sit down and take this trend [the rise of self-publishing] seriously, rather than using the poetry.coms and AuthorHouses of the world as straw-men, scapegoats, piñatas, or other bludgeonable what-have-yous in the same tired and ineffectual arguments about how the Internet is ruining the publishing industry.”
“The last two years have given long overdue visibility to trans / non-binary realities, pushing us to re-imagine what centering the margins truly means. Being intentional, though, is more than a special issue of a literary journal for the ‘marginalized;’ it’s about creating a space for folk to curate, create, and declare their own bodies: of work, of resistance, of survival.” Editor Jayy Dodd introduces the new issue of The Offing, devoted to trans and non-binary artists. Pair with our own Sonya Chung’s piece on literary activism.
The world isn’t exactly wanting for character studies of Captain Ahab, but Chris Power manages to come up with a novel analysis of the character in this essay about the Moby-Dick antagonist. In Power’s telling, Ahab was valuable in part for what he told us about the 20th century — namely, he foreshadowed the dictators and despots to come. You could also read Hester Blum’s contribution to this essay about the best American novels.