Time for an update on the Bob Dylan-Nobel Prize beat: While Dylan still won’t attend the award ceremony in Stockholm this weekend, he has submitted a speech to be read on his behalf, reports The New York Times. Patti Smith will also be on hand to perform one of Dylan’s songs. We bet Brian Burlage would say that suits him perfectly.
This week in the New Yorker Jane Hu analyzes the “dispassionate first-person narrators” prominent in works by English-speaking Asian authors and questions whether that makes it easier to identify with the narrator. She uses Chemistry by NBA 5 under 35 honoree Weike Wang as an example along with other recent works. “Against this tradition, there is, perhaps, another emerging, of Asian-Anglophone writers who both play with and thus begin to undo these tropes of Asian impersonality. The novels by Ishiguro, Park, Lin, and Wang all feature first-person narrators who keep their distance—actively denying readers direct interior access. This is true, it’s important to note, even when the characters they write are not themselves Asian.”
Erin Morgenstern‘s debut novel The Night Circus went from National Novel Writing Month project to 6-figure book advance after being rejected by more than 30 agents.
In The Atlantic Adrienne Green reviews the growing number of Young Adult novels tackling racial injustice and how this increase on the topic is no coincidence. “Coming out of the crucible of the past few years—during which young people have been integral to pushing conversations about the unjustified killings of black men to the forefront—the novels capture the many ways that teens of color cope with prejudice, whether through activism or personal accountability or protest.”
Out this week: Good on Paper by Rachel Cantor; Girl Through Glass by Sari Wilson; Unspeakable Things by Kathleen Spivack; On the Edge by Rafael Chirbes; The Unfinished World by Amber Sparks; and Fine, Fine, Fine, Fine, Fine by Diane Williams. For more on these and other new titles, go read our Great 2016 Book Preview.
Since 2010, Russian publishing professionals estimate that “as many as 20% of [all] Russian book stores have closed.” Each year, they fear, the number of “dedicated readers in Russia declines by 2%.” To remedy these trends, the Russian government has recently approved a $100 million stimulus package for the nation’s book industry – running the gamut from investment in new bookstores, to tax incentives for small presses, and also to more international book fairs – to be dispersed through 2018. Recently, Emily Parker noted in The New York Times that Russia’s literary problems might be blamed on its lack of “good protest literature.”