“You’d be hard-pressed to find a book that was at once so bold in style and ambitious in structure and so much fun to read.” The Guardian asks indie publishers about the books that made their year, including Sudden Death by Álvaro Enrigue (whose own Year in Reading you can find here).
Friend of The Millions, proprietor of Pinky’s Paperhaus, and all around great gal Carolyn Kellogg has landed at the LA Times book blog Jacket Copy. We have little doubt that she’ll do great things there.Following Heath Ledger’s untimely death, BBC looks at the myriad ways in which Hollywood has dealt with losing an actor mid-production, dating back to 1937 “when Jean Harlow died, aged 26, during the making of Saratoga. With filming 90% complete, a lookalike and two Harlow sound-a-likes (voice doubles) took up where the star left off.”Bookride is back with an intriguing look at the collectors’ market for Gabriel Garcia Marquez’s masterpiece One Hundred Years of Solitude. Don’t miss this tidbit: “By the way sending books to authors for signing is something of a gamble – Thomas Hardy used to keep all the books sent to him neatly shelved in a spare room.”Speaking of Garcia Marquez, Edith Grossman, the translator who has shaped the Latin American canon for English speakers over the last few decades, is profiled in bookforum.The New Republic offers the story behind the controversial New York Times John McCain/lobbyist story.The Morning News returns with its third annual Tournament of Books. Sadly, there will be no Bloggers’ Pool this year (despite our being eager to participate again), but Coudal Partners is sponsoring a betting pool for charity this year. As of this writing, On Chesil Beach and Run have had the most money thrown their way.A cartoon drawn on the pages of Moby DickAnd finally, McSweeney’s offers up some sweet Ashton Kutcher fan fiction.
“Rather than outlining your plot in chronological order, try outlining your plot as if it were a candle burning at both ends. Begin the process by writing your first and last chapter simultaneously.” Amazon Author Insights gathers, well, insights on writing from Dan Brown and other famous crime and thriller novelists. (Full disclosure: Amazon helps us pay the bills around here!) We will also never not recommend this evergreen piece from our own archives, of writers on the best advice they ever received.
“To attempt to write seriously is always, I feel, to fail,” Will Self told The Guardian. He and six other authors, including Margaret Atwood and Lionel Shriver, reflect on their life, career, and love disappointments. Pair with: our own Edan Lepucki’s essay on accepting rejection.
“Maurice Sendak drew his partner Eugene after he died, as he had drawn his family members when they were dying. The moment is one he was compelled to capture, pin down, understand, see. Where many— maybe most—people look away, he wanted to render. He was very wrapped up in the goodbye, the flight, the loss; it was almost Victorian, to be so deeply entranced with the moment of death, the instinct to preserve or document it. It’s also the artist’s impulse: to turn something terrible into art, to take something you are terrified of and heartbroken by and make it into something else. For the time it takes to draw what is in front of you, you are not helpless or a bystander or bereft: You are doing your job.” On Maurice Sendak and the art of death.
Though traditionally a cultural staple, Irish poetry’s popularity has been on the decline for some time now. The best way to reignite public interest? A contest, of course, and Seamus Heaney just won. His sonnet “When all the others were away at Mass” was voted “Ireland’s best-loved poem written over the past 100 years.”