“John Milton—poet, free speech advocate, civil servant, classics scholar—was arguably a forefather to Asimov, Bradbury, Delaney, and the rest. Their outlandish other worlds owe a debt to his visionary mode of storytelling; their romance—characters who go on quests, encounter adversaries at portals, channel the forces of light and dark—is his, too.” Over at Slate, Katy Waldman makes the argument for Milton as sci-fi author. Pair with our discussion of his epic Paradise Lost as part of this piece about difficult books.
Don't let social anxiety trap you in your hotel room at AWP. At Tin House, Courtney Maum gives advice for how to make and keep your writer friends in an essay aptly titled, "How Not to Hate Your Friends." Her first wise tip: "Only be friends with people you actually like." Pair with: Our dispatch from AWP 2013 to know what you're in for.
Now online: PEN World Voices video of Keith Gessen interviewing Vladimir Sorokin, author of the just-released Ice Trilogy and Day of the Oprichnik. I was a little nonplussed by the Times' decision to begin its profile of Sorokin with a discussion of his hair, but really...it is quite something. Come for the mane, stay for the acerbic insights.
Legally sampling songs on a hit record is astoundingly expensive. As Kembrew McLeod and Peter DiCola note in Creative License: The Law and Culture of Digital Licensing, the Beastie Boys would have lost $19.8 million dollars because of Paul's Boutique. (via BoingBoing)
It’s been a full week, which means you’ve had to time to digest the half-season finale of AMC’s Mad Men. But before you dive into the works on our Mad Men Reading List while awaiting the premiere of the next half-season, you should take some time to read Phillip Maciak’s incredible recap and analysis of “Waterloo.”