“John Milton—poet, free speech advocate, civil servant, classics scholar—was arguably a forefather to Asimov, Bradbury, Delaney, and the rest. Their outlandish other worlds owe a debt to his visionary mode of storytelling; their romance—characters who go on quests, encounter adversaries at portals, channel the forces of light and dark—is his, too.” Over at Slate, Katy Waldman makes the argument for Milton as sci-fi author. Pair with our discussion of his epic Paradise Lost as part of this piece about difficult books.
Father of Sci-Fi?
Tracy Morgan’s Brother From Another Mother
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Our True-Crime Obsession
In a conversation with Jonny Auping for Longreads, Rachel Monroe discusses our cultural obsession with violent crimes.
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From Whence the Twain?
What inspired Samuel Clemens to change his name to Mark Twain? Was it a Mississippi riverboat captain? Did he earn it by “drinking at a one-bit saloon in Virginia City, Nevada?” Or, as rare book dealer Kevin Mac Donnell now alleges in the new issue of Mark Twain Journal, did the author find his pseudonym in a popular humor journal?
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Pirouettes
We’ve covered the Atlantic series By Heart a number of times before. It features notable authors writing about their favorite passages. In the latest edition, Mary-Beth Hughes picks out a paragraph from Penelope Fitzgerald’s The Blue Flower, about a poet who’s trying to cope with grief. Sample quote: “Reading Fitzgerald, I felt it was possible to write as I’d experienced dancing.”
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Wendell Pierce Secures A Book Deal for His Look at Hurricane Katrina
Somewhat overshadowed by David Simon’s recent op-ed on the state of modern America (if not capitalism itself) was the news that Wendell Pierce – featured prominently in both The Wire and Treme – secured a book deal for his meditation on Hurricane Katrina and “the effect it had on his family, his life, his memory, and his hometown.”
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Mary Shelley is definitely the mother of Sci Fi but I think her co-parent is a much older man (if not men). Milton’s chief literary resource (cobbled together by malnourished, vision-prone Bronze Age nomads a millennium or a few before John came along) surely gets the credit for prefiguring the more masculine strain of Sci Fi; its signature tropes of battles on a titanic scale and celestial setting and maybe even hardware, too.
Nothing John Milton came up with could possibly out-Sci Fi this trippy Ezekiel stuff (I hope the Elizabethans behind the KJV didn’t embellish too much, but, even if, it would remain quite cool and not a little spooky):
***As for the likeness of the living creatures, their appearance was like burning coals of fire, and like the appearance of lamps: it went up and down among the living creatures; and the fire was bright, and out of the fire went forth lightning. And the living creatures ran and returned as the appearance of a flash of lightning. Now as I beheld the living creatures, behold one wheel upon the earth by the living creatures, with his four faces. The appearance of the wheels and their work was like unto the colour of a beryl: and they four had one likeness: and their appearance and their work was as it were a wheel in the middle of a wheel. When they went, they went upon their four sides: and they turned not when they went. As for their rings, they were so high that they were dreadful; and their rings were full of eyes round about them four. And when the living creatures went, the wheels went by them: and when the living creatures were lifted up from the earth, the wheels were lifted up.***
If you’ve ever read anything by the glorious, ’70s-era huckster Erich von Daeniken, you’ll know to interpret the very last sub-clause in that passage: it’s a several-thousand-year-old reference to *landing gear*! (insert sound of water pipe)
PS “and they four had one likeness” = space suits?