“John Milton—poet, free speech advocate, civil servant, classics scholar—was arguably a forefather to Asimov, Bradbury, Delaney, and the rest. Their outlandish other worlds owe a debt to his visionary mode of storytelling; their romance—characters who go on quests, encounter adversaries at portals, channel the forces of light and dark—is his, too.” Over at Slate, Katy Waldman makes the argument for Milton as sci-fi author. Pair with our discussion of his epic Paradise Lost as part of this piece about difficult books.
“I hope they also love that experience of surprise and delight and really engaging stories in the fiction sense, but also in the writers at work sense and in the poetic sense.” A Vanity Fair interview with Emily Nemens, The Paris Review’s new editor. And here’s a list of 20 reasons you should absolutely be reading literary magazines.
Stephen Moss caught up with AD Harvey, the “independent scholar” who tricked an entire discipline into believing Charles Dickens met Fyodor Dostoevsky. (If you missed Eric Naiman’s initial piece on Harvey’s trail of deception and trickery, you’d do well to acquaint yourself now.)
This morning, the longlist for the 2015 IMPAC Dublin award came out, and the nominees include some familiar names. Year in Reading alum Chimamanda Ngozi Adichie’s Americanah is on there, as is Neil Gaiman’s The Ocean at the End of the Lane (reviewed here by our own Tess Malone), Donna Tartt’s The Goldfinch (which won this year’s Pulitzer) and The Flamethrowers by Rachel Kushner (whom you can learn more about in this essay by our own Bill Morris).