“A continuation of a book that has proved very popular seldom is successful, and we cannot say that we think Alice’s adventures by any means equal to her previous ones.” The Guardian digs up its original review of Lewis Carroll‘s Through the Looking Glass.
Slate corrects an oversight to Sarah Palin’s otherwise impeccably edited memoir: no index. Theirs runs from “Alaska, autumn bouquet of” (page 1) to “‘you betcha’ – revelation of as not actually Alaska’s state motto” (page 309), and includes such helpful detours as “exclamation point, usage of” (pages 4, 26, 120, 121, 122, 138, 150…) You almost – almost – don’t have to read the book.
You should check out George Saunders’s “Liner Notes” piece about “2776: A Musical Journey Through America’s Past, Present & Future,” which is set to accompany a forthcoming musical-comedy album from Patton Oswalt, Aubrey Plaza, Ira Glass, and Yo La Tengo, among others. If that hasn’t sold you, consider the fact that Saunders’s piece contains this line: “Truth be told, there were a number of regrettable omissions. Beyoncé and Jay Z’s piece ‘Bomber’ had to be left off the album. (‘Driver of this plane, this / B-52 on the way to Nagasaki / Stuff your ears with cotton and / Close those eyes / Me and my man are about to do it all over this / Here bomb’).”
As an Editor-at-Large at Interview Magazine, Christopher Bollen has talked with everyone from Joan Didion to Renata Adler to Michael Stipe. Last Friday, he became an interview subject himself, sitting down with Tom Barbash at Salon to talk about his new novel, Orient. Sample quote: “I know I’m supposed to have the young characters constantly on Snapchat and Instagram and every adult is falling asleep at night to a Netflix marathon.”
April Bernard is not a fan of Writers’ Houses because she does not believe the “private life, even of the dead, is ours to plunder.” Earlier this year, our own Luke Epplin also noted some of the limitations of Writers’ Houses.
Need a dose of new Irish poetry in your life? The Irish Times (naturally) has you covered. In the Saturday edition, John McAuliffe reviews two new and notable collections: The Boys of Bluehill by Eilean Ni Chuilleanain and The Days of Surprise by Paul Durcan.
“Reading is a type of reckoning with the self. That may sound like a simplistic platitude, but platitudes exist only because they are true, our self-serving intellectual mirrors be damned.” Cher Tan shares a lifetime’s reading history with Catapult, tracing her trajectory from “[k]eeping up with the boys” during high school to this past year, in which she made a personal pact to read only books written by people of color. Pair with our own Nick Ripatrazone in conversation with six authors on their childhood reading.