“In the 1970s it circulated among Left Bank intellectuals, including Sartre and Bernard-Henri Lévy, as an aid to productive writing. In 1981 it was listed as a controlled substance in the US and in 1986, after it was scheduled under the WHO Convention on Psychotropic Substances, it was removed from prescription sale.” The London Review of Books reviews two histories about the role of drugs in the fighting of wars, Blitzed: Drugs In the Third Reich by Norman Ohler and Shooting Up: A History of Drugs in Warfare by Łukasz Kamieński Hurst. Both pay particular attention to Captagon (the name a portmanteau of “captain” and “pentagon”), a pharmaceutical that has become common throughout Eastern Europe, the Gulf States, India, and China, and by 2014 “had become a significant source of funding for all sides in Syria’s civil war.”
“You’ll engage with your advisor in a free-form dialogue about essential skills such as plotting your next career, pacing your financial ruin, structuring TV binge-watching during optimal writing hours, and characterizing all of this as ‘learning how to fail.'” Hey, this new low-competency MFA from the fictitious Half Mast College sounds pretty great. Here’s our own Hannah Gersen on why she has foregone the MFA route entirely.
W.H. Auden lived a secret life, not as a man with a second family or an illicit habit but as, weirdly enough, a genuinely kind human being. He paid for a friend’s costly operation and camped outside the apartment of a woman who suffered from night terrors until she felt safe enough to sleep on her own again. So why did the poet want to hide his good deeds? He claimed he didn’t want to be admired for basic decency.
A scholar who has uncovered Walt Whitman‘s handwritten documents announced his findings Tuesday at the National Archives. These documents are from Whitman‘s time as a government worker, concerning civil rights, war crimes, treason, and western expansion. View the documents here.
Point: Dan Chaon believes younger writers should read more contemporary writing before attempting to be published themselves. Counterpoint: J. Robert Lennon believes most contemporary writing is a waste of would-be writers’ precious time. TL;DR Version: Nathan Elwood notes that if writers “want to change the face of literary fiction … [they should] at least know what it looks like.”