The New York Times reports that actress Carrie Fisher‘s books have risen to the top of Amazon’s bestseller lists following news of her death. Fisher penned the memoirs Wishful Drinking, Shockaholic, and The Princess Diarist, which just came out last month, as well as several novels, including the book-made-movie Postcards from the Edge. Our own Lydia Kiesling included Postcards on a reading list for her short-lived celebrity book club a few years back.
It seems slightly incredible that anyone doesn’t know who Stephen King is, but sometimes “it’s precisely those whom we imagine we know, in broad stereotypical terms, who require introductions,” as Joyce Carol Oates put it. Luckily, The Oyster Review has provided a handy reader’s guide to Stephen King, covering his works from Carrie to On Writing.
Rachel Rosenfelt, Editor in Chief of The New Inquiry, gets interviewed by Evan Kindley, Managing Editor of the Los Angeles Review of Books. In their conversation, Rosenfelt reveals that TNI‘s prevailing editorial principle is: “Is this boring? Is this safe? If the answer is yes, then it’s not for us.”
Charles McGrath at The New York Times reviews Per Petterson’s new novel I Curse the River of Time: “…at moments when a lot of American prose seems fizzy and over-rich, the sentences in I Curse the River of Time go down like an eye-watering shot of aquavit.”
Good news for people who like good things: The Missouri Review has unveiled a Little Black Book of Fiction app. The 99¢ app is a collection of 11 stories from the likes of William Gay (a Post-40 Bloomer), Robert Olen Butler and Nanci Kincaid – and each story comes with its own audio introduction, author information, and opening photograph.
Over at the New Republic Year in Reading alum William Giraldi writes his “Confessions of a Catholic Novelist,” and they include ruminations on Graham Greene, Flannery O’Connor, and Walker Percy, as well as on the inevitable impact being raised in the Church has on his own work and the writing of many, many others. Giraldi’s essay pairs very well with the work of our own Nick Ripatrazone, who has reviewed Giraldi’s Hold the Dark, written about teaching Flannery O’Connor to high school students, and just this week discussed the current state of independent Catholic literature.