“In a just world, every single person who was in favor of invading Iraq would have to read this book. It would be tattooed on the eyes of the invasion’s architects, force them to see everything through these writers’ words.” NPR reviews Iraq + 100: Stories from Another Iraq, a collection in which 10 Iraqi authors imagine their country 100 years into the future. See also our own review of literature about the war.
Another Iraq
DFW, ctd.
On Friday, the Ransom Center at the University of Texas-Austin opened up its holdings of The Pale King, DFW’s last novel (which our own Garth Risk Hallberg reviewed for New York Magazine). At Page-Turner, D.T. Max picks through the new papers.
Praise the Man
“Finally, without my wife, who served as editor, research assistant, and soul mate, this project could never have been finished.” On gendered expectations and book acknowledgments.
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Love Letter to Technology
The last book that Michelle Vider loved was our own Emily St. John Mandel’s Station Eleven, which was a finalist for the 2014 National Book Award. Claire Cameron’s interview with Mandel from The Millions is a nice complement.
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Much Ado About Baltimore
One consequence of creating a beloved show is that you’ve got to deal with superficial paeans to it. David Simon has to know this, but he still seems cranky in this interview. Of course I’m not saying he can’t be chagrined by Grantland or Vulture’s recent TV brackets (which Simon singled out in subsequent remarks), but when he says he’s “it’s wearying” for people “to be picking [The Wire] apart now like it’s a deck of cards or like they were there the whole time or they understood it the whole time,” it’s a bit harder to take his side, and you feel like he hasn’t watched Erlend Lavik’s sophisticated and thorough video essay about The Wire‘s visual style. Surely analyses like this (or Žižek‘s, which we’ve mentioned before) deserve due credit.
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Review of Per Petterson’s “I Curse the River of Time”
Charles McGrath at The New York Times reviews Per Petterson’s new novel I Curse the River of Time: “…at moments when a lot of American prose seems fizzy and over-rich, the sentences in I Curse the River of Time go down like an eye-watering shot of aquavit.”
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A House of Her Own
“I’m ten years away from the corner you laugh on with your pals.” Carol Ann Duffy’s poem “Before You Were Mine” has inspired a few great writers to share some photographs (and tender memories) of their mothers before they were born.
Give Rock and Roll Another Name
Chuck Klosterman wonders, which rock stars will historians of the future remember?
More Anxiety
Harold Bloom turns eighty-five this year, which makes it all the more impressive that his forty-fifth book, The Daemon Knows, comes out this week. At Vulture, Amy Bloom (no relation) has tea and scones with the Yale professor, who talks about Emily Dickinson, Walt Whitman and why a critic called his new book “an invectorium.” You could also read Matt Hanson on his last volume of criticism.
Ah, lovely. It’s a start…!