“In a just world, every single person who was in favor of invading Iraq would have to read this book. It would be tattooed on the eyes of the invasion’s architects, force them to see everything through these writers’ words.” NPR reviews Iraq + 100: Stories from Another Iraq, a collection in which 10 Iraqi authors imagine their country 100 years into the future. See also our own review of literature about the war.
Literary gold: Don Baiocchi’s list of books that are responses to other books.The top 50 film adaptations of books. The Guardian never seems to tire of such lists.Benetton, whose Colors magazine is one of my favorites, is participating in the New York festival of Internatonal Literature by hosting a conversation series. They’re looking to get people involved: “Through the BenettoTalk blog it is possible for everyone to join the conversations, posting questions and generating debate, some days before they happen. Authors like Jhumpa Lahiri, Jonathan Lethem, Rodrigo Fresan, Helen Oyeyemi and many others will answer you.” You can post a question here.
New this week: Gary Shteyngart’s much buzzed about Super Sad True Love Story, Rick Moody’s The Four Fingers of Death (another literary dystopia), and a new Roberto Bolaño collection, The Return. Bonus for GN’R fans: GN’R drummer Steven Adler’s tell-all memoir My Appetite for Destruction: Sex, and Drugs, and Guns N’ Roses.
Going to SXSW this year? Be sure to check out the “Too Long, Didn’t Read” panel our own C. Max Magee is sharing with Bygone Bureau editor Kevin Nguyen and The Morning News co-founder Andrew Womack. The Saturday panel will focus on the “renaissance of long-form writing,” and location details can be found here.
Recommended (and timely!) reading: Christy Wampole on why “You Will Never Be Able to Thank Your Mother Enough.”
“I have this belief that you have to save at least half of your crucial experiences. The ones that are crystalline. The ones that you always can recall. And you recall that every detail—what actors call a sense impression. You remember how things smelled, what they felt like, how you felt at the moment. You remember every single last part of this episode, or moment in your life.” This interview with Norman Mailer from The Paris Review never actually made it to print, which makes it all the more fascinating.