Fans of Theodore Geisel, a.k.a. Dr. Seuss, often know that he had an earlier career as an ad agency illustrator, but how many of them know he was also an amateur taxidermist? “His father, superintendent of parks in Springfield, Mass., occasionally sent him antlers, bills and horns from deceased zoo animals,” reports NPR, elements that Geisel then integrated into fantastical wall sculptures.
“It’s interesting to me now how many lawyers I’ve published. There’s something about the retelling, the assembling of a logical arc, about planting the clues and so forth that is believable and compelling. There’s a similarity in the way your mind needs to work, too. The logical progression of the narrative, the planting clues, the revelations and also just imbuing it with the emotional truth of the moment. That’s what a fiction writer has to do.” An interview with editor and literary gatekeeper Lee Boudreaux.
In 1932, several black Americans – including Langston Hughes – traveled to the Soviet Union to shoot a propaganda film about the “evils of racism in the United States.” One of those travelers, Lloyd Patterson, would never return. Instead, Patterson married an Ukrainian woman, and the pair had two children. The firstborn, Jim Patterson, was at one time the most famous black resident of the USSR – and his appearance in The Circus even drew the admiration of Joseph Stalin. After World War II, Patterson served as a Soviet naval officer aboard a submarine in the Black Sea. From there he went on to the Soviet Writers Union in 1967. If you think this sounds far-fetched, I encourage you to read more here.
A few days ago, our own Edan Lepucki talked shop with Millions contributor Ramona Ausubel, whose new collection, A Guide to Being Born, came out last month. Now, at Full-Stop, Emily Oppenheimer reviews the book, which she says refuses to “make use of the obvious perspective.”
“In re-organizing the priorities of book publishing—by inventing new models rather than trying to repeat past success, by valuing ingenuity over magnitude, by thinking of sales as a way to make great books possible rather than the point—indie presses aren’t just becoming the places where the best books are published; they’re already there.” Over at The Atlantic, Nathan Scott McNamara writes on why American publishing needs indie presses. For more of his writing, check out his essay on Denis Johnson for The Millions.