Historians N. D. B. Connolly and Keisha N. Blain have done us all a serious solid by assembling a syllabus of readings around “what many simply call ‘Trumpism’: personal and political gain marred by intolerance, derived from wealth, and rooted in the history of segregation, sexism, and exploitation.” The self-directed course contains readings from more than 100 scholars – including Audre Lorde, Aziz Ansari, and Ta-Nehisi Coates – and aims to “introduce observers to the past and present conditions that allowed Trump to seize electoral control of a major American political party.”
“I would argue that decent books coverage in a daily newspaper — especially when it’s presented in such a way that readers are likely to stumble over it and discover titles they might not otherwise have heard of — is more supportive of writers in the long run than a scholarship program.” At Salon, Laura Miller explores literary culture and the downsides of the MFA, which include teaching high school.
“Sitting down to read The Actress, Amy Sohn’s newest novel, is even better than standing in line at the grocery store while the person in front of you disputes the price of a carton of orange juice, giving you extra time to read the tabloids. The Actress might be as licentious as a tabloid, but it is far more intelligently written. And, you probably won’t be reading it while standing in line inside a grocery store.”
“The thriller, set in a dystopian future where women and girls can kill men with a single touch, was the favourite on a shortlist that included former winner Linda Grant and Man Booker-shortlisted Madeleine Thien.” Naomi Alderman’s The Power has become the first speculative work to nab the Baileys prize for women’s fiction, reports The Guardian, noting that the judges said Alderman’s book would be “a classic of the future.” See also: a few years back we highlighted a collaboration between Alderman and Year in Reading alum Margaret Atwood, a comic zombie novel that you can still read in its entirety here.
The Barcelona Review has the text of the eponymous story from Alan Heathcock’s Volt for your reading pleasure. You might remember Heathcock’s work from last Decemeber, when Michael Schaub picked the “dark, beautiful short story collection” in his Year in Reading installment, and then gave it a glowing review for NPR.
Some criminals in my home town of Calgary, Alberta, were recently picked up in a drug bust. Their drugs, weapons, and cash were all confiscated. But did the cops take away their autographed copy of Crime School: Money Laundering? Full credit: Moby Lives totally scooped us on this thrilling story of criminal readers.