Historians N. D. B. Connolly and Keisha N. Blain have done us all a serious solid by assembling a syllabus of readings around “what many simply call ‘Trumpism’: personal and political gain marred by intolerance, derived from wealth, and rooted in the history of segregation, sexism, and exploitation.” The self-directed course contains readings from more than 100 scholars – including Audre Lorde, Aziz Ansari, and Ta-Nehisi Coates – and aims to “introduce observers to the past and present conditions that allowed Trump to seize electoral control of a major American political party.”
Christine Sismondo believes bars deserve more credit for “produc[ing] a particular type of public sphere in colonial America.” She discusses her new book America Walks Into a Bar with The Smithsonian’s Rebecca Dalzell.
In 1993, River Phoenix was working on Dark Blood, an independent film that was supposed to be the underdog surprise of the year. But when Phoenix died three weeks before shooting was supposed to wrap, the project stopped in its tracks. Now, almost 20 years later, the original director and editor are piecing the bits together, and they plan on screening it at the Netherlands Film Festival in September.
“Writing difference is a challenge, particularly in fiction. How do men write women and vice versa? How do writers of one race or ethnicity write about people of another race or ethnicity? More important, how do writers tackle difference without reducing their characters to caricatures or stereotypes?” Roxane Gay reviews Joyce Carol Oates‘s The Sacrifice and simultaneously explains how to write difference well. Hint: it “demands empathy, an ability to respect the humanity of those you mean to represent.”
The New York Public Library announced their eighteenth annual Young Lions Fiction Award, which is “given annually to an American writer age 35 or younger for either a novel or a collection of short stories.” The 2018 finalists are: Lesley Nneka Arimah‘s What It Means When a Man Falls from the Sky, Venita Blackburn‘s Black Jesus and Other Superheroes, Gabe Habash‘s Stephen Florida, Emily Ruskovich‘s Idaho, and Jenny Zhang‘s Sour Heart. From our archives: Habash and Zhang‘s 2017 Year in Reading entries.
How did Neil Gaiman and Dave McKean create one of DC’s most popular comics in history? The Guardian finds out the inspiration behind The Sandman. McKean shares the stories behind his favorite covers, and Gaiman also addresses his resemblance to Dream. “I suppose he looks like me, though. But that’s one of those peculiar things where you gradually start to look like your dog.”
“To Yanagihara, the commitment to journalism is a vital expression of the practical side of her nature: she likes the adrenaline of short deadlines and the satisfaction of making a new product each week.” The Guardian profiles Hanya Yanagihara about her life, fiction, and day job as the editor of T magazine, the New York Times style supplement. From our archives: The Millions’ interview with the acclaimed novelist.