“[E]ach video is a portrait of the artist as a beginner—and a look at the creative process, in all its joy, abjection, delusion, and euphoria.” The Paris Review has a new video series called “My First Time,” in which big-name authors talk about getting their start. Helen DeWitt, Jeffrey Eugenides, Sheila Heti, a chain-smoking Karl Ove Knausgaard – what more could anyone want? More origin stories, that’s what! Six writers – Colum McCann, Alexander Chee, Jami Attenberg, Emily St. John Mandel, Justin Taylor, and Anthony Marra – look back on their first books for us.
Dutch researchers are using moistened electrode caps to measure the brain waves, heart rate, galvanic skin response and facial expressions on an author and fifty of his readers. They hope to find patterns “that may help illuminate links between the way art is created and enjoyed, and possibly the nature of creativity itself.”
Over the past fifteen years, Mohsin Hamid has moved from New York, to London, and to Lahore, Pakistan, with stints in Italy and Greece. His new book, which came out yesterday, is a series of essays about his odyssey across the world, chronicling his observations and experiences that led him to move. At Bookforum, a review by Jake Lamar.
As a tribute to James Salter, who died on Friday at ninety, The Paris Review Daily republished his acceptance speech for their Hadada Prize, back in 2011. In the speech, Salter touches on George Plimpton, Barnes and Noble and his novel A Sport and a Pastime. You could also read our interview with the author.
Has Joan Didion become “the Ultimate Literary Celebrity“? In an article for the New Republic Laura Marsh says “yes,” and then explains how that happened. Marsh’s efforts pair well with Franklin Strong‘s recent Millions essay on “The Manliness of Joan Didion,” Joan Didion being a literary figure who easily adapts to any description.