“Whatever the facts of her life – whether she turned out to be an ancient man living in the Icelandic interior or a woman waiting tables at a Texan diner – Ferrante writes in an autobiographical mode. That is fuel for the truthers, a sort of literary ankle-flashing. But it is also good cover for another motive: a very contemporary form of envy of another’s autonomous space and their creativity, a rage that while they give us their work, they will not also give us their person.” On a new collection of Elena Ferrante’s letters, interviews and short pieces.
Six Books in Twenty Years
Chemikal Underground Rocks the Audiobook
Chemikal Underground, the Glasgow label that first launched Mogwai and Arab Strap, steps into the literary realm with its first audio collection of stories, The Year of Open Doors. You can listen to an excerpt–Arab Strap’s own Aidan Moffat reads his story “The Donaldson Boy.”
●
●
A Library Themed Wedding
Know anyone getting married soon? Perhaps they’d like to integrate some books and bookshelves. (via @ShelfAwareness)
●
●
Red Herring
Languagehat points to the curious origins of the idiom “red herring.”
●
●
Ruling Her Realm
“People are deeply uncomfortable with the idea that the characters they love and regard as people, real people, were made up by someone, especially if that someone is a woman.” Cassandra Clare, the author who began by writing fanfiction and went on to pen the wildly successful The Mortal Instruments series, talks about her work with Penelope Green.
●
●
Amtrak Residency, First Class
The 24 writers selected to be part of the first Amtrak Residency Program have been announced. For more about the residency check out our past coverage of the program and our own Nick Ripatrazone‘s essay on reading and writing on trains.
An Encounter with a Stranger
Over at Longreads, you can read the first chapter of Alexander Chee’s The Queen of the Night – one of the most anticipated books of 2016.
And Are We and Are We
Now that Horse_ebooks as we knew it is dead (or alive, depending on your viewpoint), the Internet is convening to pay tribute to the Dadaist masterpiece. At Slate, Will Oremus opines that the feed was “pretty great” even when it was a spambot, while at The Globe and Mail, Navneen Alang argues that it’s “more wonderful today, not less.”
●
●