“Whatever the facts of her life – whether she turned out to be an ancient man living in the Icelandic interior or a woman waiting tables at a Texan diner – Ferrante writes in an autobiographical mode. That is fuel for the truthers, a sort of literary ankle-flashing. But it is also good cover for another motive: a very contemporary form of envy of another’s autonomous space and their creativity, a rage that while they give us their work, they will not also give us their person.” On a new collection of Elena Ferrante’s letters, interviews and short pieces.
Six Books in Twenty Years
Greg Mortenson Settles with CAI
Greg Mortenson, whose legal and ethical battles we’ve mentioned before, has agreed to repay $1,000,000 of the funds he allegedly embezzled from the Central Asia Institute.
All Hail King Brody
Damian Lewis is going from being a traitor of a country to running one. He will star as Henry VIII in the BBC’s adaptations of Hilary Mantel’s Wolf Hall and Bring Up the Bodies. Mark Rylance will play Thomas Cromwell (though previously he’s played another role in the court, Sir Thomas Boleyn.)
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Dmitry Samarov on Writers No One Reads
Hack author Dmitry Samarov is this week’s guest blogger at Writers No One Reads (which we’ve mentioned before). In his first post, Samarov takes a look at the work of Willard Motley, who grew up in Chicago’s Englewood neighborhood in the early 1900s, and is most well-known for his 1947 bestseller, Knock On Any Door.
Life on Mars
“One of the advantages to being a novelist is removing oneself from the chatter of the fray and trying to get a read and a historical context on what’s happening in one’s own time.” The Guardian interviews Rachel Kushner about women’s prisons, remorse, and her new novel, The Mars Room. Pair with: our review calls Kushner’s latest a “brutal, unforgiving, and often grimly funny tour de force of wasted lives.”
Rumaan Alam on Genre Snobbery
Rumaan Alam discusses his suspenseful new book, Leave the World Behind, and the efficiency of genre writing.
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Harvard and MIT Go MOOC
Harvard and MIT are partnering for an MOOC (Massive Open Online Course) known as edX. Currently, similar offerings are available from Stanford, Princeton, UPenn, and the University of Michigan. Unfortunately edX and others like it will grade student papers by utilizing “crowd-sourcing” and “natural-language software.” Oh, geeze. Not that again.