“Post-truth” has been named word of the year by the Oxford Dictionaries, reports The Guardian. Considered an adjective, its definition is “relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief.” The Dictionaries report its first use in 1992 by the late Serbian-American playwright Steve Tesich in relation to Iran-Contra and the first Gulf War. And we thought Colbert’s “truthiness” was funny.
Another phone-related book project: Call Me Ishmael, a site that collects stories about reading and life via voicemail messages. The instructions are simple: call Ishmael at 774-325-0503 and leave him a message “about a book you love and a story you have lived.” Several of these messages are transcribed and posted online every week but, if we’re being honest, we appreciate this project for the pun as much as for the stories.
This essay by Mensah Demary for Electric Literature on Nas and the literary legitimacy of hip-hop is the best thing you’ll read this morning. “Nas is a world-class storyteller and practitioner of the narrative form,” Demary writes, “I don’t understand why there isn’t more discussion around hip-hop’s literary value among today’s millennial-and-boomer intelligentsia.”
“The past fascinates me obsessively, I suppose, because it’s such a strange phenomenon. The past was the present at some point, and it was just as boring as the present. What makes it so important? What gives it that luminous, exalted quality where it becomes the past?” John Banville addresses these and many other heady questions in his new novel, The Blue Guitar.