“Post-truth” has been named word of the year by the Oxford Dictionaries, reports The Guardian. Considered an adjective, its definition is “relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief.” The Dictionaries report its first use in 1992 by the late Serbian-American playwright Steve Tesich in relation to Iran-Contra and the first Gulf War. And we thought Colbert’s “truthiness” was funny.
In a recent interview with Bookforum, Wells Tower dropped an enticing little detail about his latest project: a novel. Playing coy with the interviewer, Tower admitted only that “it will concern a family and it will contain a good number of pages.” No release date has been set at this time.
Writers of facial stage direction, beware: it is not actually the epitome of irony that smiling and crying can seem so oddly similar. At Aeon, Princeton professor Michael Graziono argues that the seemingly opposite gestures may just share evolutionary origins. (Pair with: Darwinist theories about “the evolution of the novel.”)
Some folks were abuzz this week about the release of all 47 endings to Ernest Hemingway’s novel A Farewell to Arms. That kind of commitment to a single story is impressive, and illustrates the author’s dedication to his work, but as Andrew O’Hagan points out in the London Review of Books, Big Papa loved no story so much as his own.
Looking for a new literary podcast to fill your downtime? David Naimon’s “Between the Covers” author interview series may do the trick. The series, which appears regularly on Portland, Oregon’s KBOO 90.7 FM, is available for free on iTunes. Past guests have included Karen Russell, George Saunders, China Miéville and Junot Díaz. Forthcoming episodes will feature the likes of NoViolet Bulawayo and Jami Attenberg.
“Think the kennel partner was a man? Think he was, in Braverman’s telling, threatened by her success? You are correct. There are so many stories like this, in Double Bind, of ambition built up and then put in its place: the high school classmate who sneered to Roxane Gay, when he learned that she’d been accepted to Yale when he had not, ‘affirmative action.'”
“When I want to be ambushed, captured, thrust into a strange and vivid world, and tossed aloft until I cannot stand it, until everything is at stake and life feels almost unbearably vivid, I do something simple. I read short stories.” Electric Literature has posted Ben Marcus‘s “paean to the contemporary American short story,” which doubles as the introduction to New American Stories and does a pretty good job of capturing just what it is we love about reading fiction.