We thoroughly enjoyed the latest episode of David Naimon‘s Between the Covers podcast featuring Whiting-Award winner Tyehimba Jess. The conversation centers on Jess’s latest book, Olio, a tour de force hybrid-genre exploration of African-American performers from the period just before the American Civil War through World War I. (Previously: We recommended Jess’s Leadbelly as perfect reading for train travel.)
Recommended Reading: The New York Times’s feature on Dana Spiotta. “When Dana Spiotta was working on her fourth novel, Innocents and Others, she sat beneath a huge bulletin board pinned with her sticky notes and research materials: lists of relevant words (passion, transformation, intimacy) and ‘seeing’ devices (zoetrope, stereoscope, camera obscura), and photographs of Orson Welles, Jean-Luc Godard and the Maysles brothers. ‘It’s like walking into the book,’ Spiotta told me. ‘You feel it all around you.’” To prepare for her upcoming release, revisit our review of Stone Arabia.
Here are the first lines of the new Gary Shteyngart novel, Super Sad True Love Story, forthcoming in July: "Today I've made a major decision: I am never going to die. Others will die around me. They will be nullified. Nothing of their personality will remain. The light switch will be turned off."
Anthony Domestico interviews C. E. Morgan about her second novel, The Sport of Kings, one of the most anticipated books of 2016. As she puts it, “Every aspect of the novel is–or should be—an arrow pointed towards its ultimate meaning, or a multiplicity of possible meanings.”
“As they were actual animals, rather than anthropomorphized personality traits intended to teach moral lessons, the Dog’s words were just a bunch of barking. The Goat bolted across the road, ending up on the ridge behind the Baker place. The Goat’s owner then called Animal Control, even though the Dog’s owner knew about the pot plants in the former’s greenhouse, which he had always been cool about, though that may change real soon.” Aesop's lesser fables.