“Their staff is always sharp, and they seem to cover politics more robustly now. But through the 1960s there were so many political trends they ignored, pretending to be focused on craft and art for art’s sake.” An interview with Joel Whitney about his forthcoming book Finks: How the C.I.A. Tricked the World’s Best Writers, which tells the story of how the intelligence agency helped found The Paris Review. With this backstory in mind, you may read the journal’s author interviews in an entirely new way.
A Murky Origin Story
Howard Jacobson on Table Tennis
Tablet Magazine publishes Booker prize winner (and one-time ranked junior table tennis player) Howard Jacobson’s essay on flamboyant ping-pong champ Marty Reisman for the first time in the U.S.
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POTUS Picks
For its November issue, Wired asks guest editor President Obama for a list of his 10 essential books. The magazine estimates that reading all of them, including James Baldwin’s The Fire Next Time, Katherine Boo‘s Behind the Beautiful Forevers, and Elizabeth Kolbert’s The Sixth Extinction: An Unnatural History, will take only eighty-nine hours.
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Rocker Lit
First there was Keith Richards’s autobiography, Life. Now he is writing a children’s book, complete with illustrations by his daughter. Gus & Me tells the story of Richards’s bond with his grandfather, which is slightly more normal than snorting his dad’s ashes.
Meghan O’Rourke on Anne Carson’s Nox
At The New Yorker, Meghan O’Rourke lyrically reviews Anne Carson’s latest work Nox: “Grief is paradoxical … The literature of mourning enacts that dilemma; its solace is mainly in the ritual of remembering the dead and then saying, There is no solace and also, This has been going on a long time.”
The World According to John
Here is a helpful User’s Guide to John Irving from the good people over at Hazlitt–it should be all you need in order to tackle Irving’s newest novel, Avenue of Mysteries. This slightly disheartened take on what it’s like to re-read Irving is worth a look.
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The Man and His Image
Recommended Reading: Can we separate Knausgaard the writer from Knausgaard the narrator?