“To get me through a 550-page collection, the stories must be very good indeed. These are.” When Lionel Shriver participated in our Year in Reading ritual several years back, she dedicated her reading diary to William Trevor, who just passed away. “Trevor’s writing is so perfect that you don’t even notice it’s perfect,” she wrote. “He mainlines pure narrative directly into your veins. The words never get in the way; the words, like their author, disappear.”
In Memoriam William Trevor
Try, Try Again
Millions contributor Jessica Francis Kane gives an account of the first time she had a story accepted into a literary magazine. Kane’s short story collection, This Close, hit shelves last March.
Incredibly Big and Extremely Close
“I have a big global voice, but a small local one, because I don’t want to be a target, and resent that in 2017, that’s still the only choice I get to have. I have a rule of leaving the party, or social space as soon as I see five white people drunk, because the only person who will remember that moment when everybody got hella racist will be me. I have a self-imposed curfew of when to ride my bike home, when to leave the park. I would rather risk my life riding late at night on the empty and mostly dark greenway, than riding on the street with Police officers looking for whoever matches a description.” A Brief History of Seven Killings author Marlon James writes on Facebook (?) about being big, close, and black in the U S of A. Pair with Kaulie Lewis on reading James’s The Book of Night Women during her senior year.
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Whitman on Poe
“Poe’s verses illustrate an intense faculty for technical and abstract beauty, with the rhyming art to excess, an incorrigible propensity toward nocturnal themes, a demoniac undertone behind every page—and, by final judgment, probably belong among the electric lights of imaginative literature, brilliant and dazzling, but with no heat.” – Walt Whitman on Edgar Allan Poe’s significance, circa 1880.
Talking Covers
What does Jonathan Franzen think of the cover for Freedom? What about Charlotte Strick, the book’s designer? Or the photographers that took photos of those trees, of that blue warbler? Talking Covers has collected their thoughts, and plays host to other cover-related conversations besides. Check out this one The Flame Alphabet.
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On the Rise and Fall of John Horne Burns
How do you describe the life and times of John Horne Burns? He was in turn a military intelligence officer, a schoolteacher, a critical darling after he published The Gallery, a pariah after he published anything else, and a gay man in post-WWII America. In characteristic concision, Ernest Hemingway summed the whole thing up thusly: “There was a fellow who wrote a fine book and then a stinking book about a prep school, and then he just blew himself up.”
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On the Family
Cynthia D’Aprix Sweeney introduces us to a few of literature’s dysfunctional families at Electric Literature. For a loving family relationship, check out an interview with Phillip and Lily Lopate, collaborators on Every Father’s Daughter.
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