“So scary are the consequences of a collapse of white privilege that many Americans have flocked to a political platform that supports and translates violence against the defenseless as strength. These people are not so much angry as terrified, with the kind of terror that makes knees tremble.” We highly recommend you read Toni Morrison‘s post-election essay for The New Yorker.
“Salinger’s Holden Caulfield made a distinction between writers you would like to call on the phone and those you wouldn’t care to talk to at all. Teju Cole belongs to the former group.” Year in Reading alum Aleksandar Hemon interviews Teju Cole. If you can’t get enough of Cole, we interviewed him, too.
“The last line of Saul Bellow’s ‘A Single Dish’ is nothing like poetry. I can’t tell you what any single one of those words means. Imagine you’re a lexicographer and you have to define the word that, or how. And on top of this, there’s none of Bellow’s typical play with rhythm and language—it’s almost a non-sentence. And yet, when I get to it in the story, I weep.” Ethan Canin at The Atlantic on how Saul Bellow packs so much emotion into a single sentence. Here are a couple Bellow-related Millions links for your perusing pleasure.
Have you ever wondered how memoirists remember their childhoods so well when we can barely remember what we ate for breakfast this morning? Although losing your earliest memories is a common phenomenon called childhood amnesia, we’re more likely to remember childhood if we fashion it into a story.
Haven’t heard of Teffi? You can blame that one on the Bolsheviks. The early-20th-century Russian poet, playwright and journalist, whose fans included (oddly enough) both Vladimir Lenin and Tsar Nikolai, had to flee a Moscow in turmoil to avoid persecution as a dissident. Now, several publishers are reprinting her memoir of exile, for which The New Statesman has details and a short biography.