Arisa Wright hits the nail on the head in this piece for LitHub, titled simply “In Praise of Our Black Women Poets“: “Clifton’s remark disabused me of the idea that there is something I must erase to make my poetry universal. She freed my mind and body; she freed my verse.”
Life in the Company of Writers
Quick Reads
Recommended Reading: Carl Wilson on short books and “too long; didn’t read” syndrome.
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New Releases: Foer, Coupland, King
Stephen King’s latest, Under the Dome, is out today. It’s 1,100 pages and is being compared to The Stand. Meanwhile, Generation A by Douglas Coupland is also hitting shelves. It’s a sequel to Coupland’s famous, influential debut, Generation X. Also out last week was Jonathan Safran Foer’s treatise on vegetarianism, Eating Animals, which picked up a mixed review in the New Yorker.
Drawing Connections
Stephen J. Gertz shows off some of Bukowski’s artwork; Sketches of F. Scott drawn by Zelda Fitzgerald and a portrait of their relationship by Anne Margaret Daniel; An interview with three of the more than 130 artists involved with The Graphic Canon, a series of illustrated literary classics.
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A Literary Wake
In Austin, the Harry Ransom Center and American Short Fiction are hosting a tribute event for J.D. Salinger that will include readings by Elizabeth Crane, Nick Flynn, Amelia Gray, Elizabeth McCracken, ZZ Packer, and John Pipkin.
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“Thus the unfacts, did we possess them, are too imprecisely few to warrant our certitude…”
Michael Chabon takes on Finnegans Wake in The New York Review of Books. This is mandatory reading, class.
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Shaking Down Cage the Elephant
Cage the Elephant is considered one of the best young indie rock acts today, but the band got its start in the burgeoning music scene in Bowling Green, Kentucky. Sometime Millions contributor Craig Fehrman wrote a Kindle Single on Cage the Elephant and its influential hometown, Home Grown: Cage the Elephant and the Making of a Modern Music Scene. You can read his past Millions essays on the history of literary Time covers, Lewis Hyde’s understanding of intellectual property, and an ethnography of readers at Borders.
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The Lost Female Beat Poet
The Beat Generation was such a largely male-dominated literary movement that its few female writers have mostly been forgotten. At The Toast, Megan Keeling remembers Beat poet Elise Cowen, who is mostly known as Allen Ginsberg’s paramour but also wrote poetry of her own. “Her surviving poetry shows a unique perspective on the rigid cultural conformity of the 1950s and also the fringe artistic community of the Beat Generation.” A collection of her poetry, Elise Cowen: Poems and Fragments, was just published.
Her surviving poetry shows a unique perspective on the rigid cultural conformity of the 1950s and also the fringe artistic community of the Beat Generation.
Read more at http://the-toast.net/2014/04/24/elise-cowen-and-the-female-beat-poets/#W1BLwQlomazyFTiH.99
Her surviving poetry shows a unique perspective on the rigid cultural conformity of the 1950s and also the fringe artistic community of the Beat Generation.
Read more at http://the-toast.net/2014/04/24/elise-cowen-and-the-female-beat-poets/#W1BLwQlomazyFTiH.99
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Wild Things
Where The Wild Things Are, the beloved children’s story written and illustrated by Maurice Sendak, arrives in US theaters in cinematic form this Friday, October 16th; see the trailer here. The excellent Spike Jonze (Adaptation, Being John Malkovich) directs.