The recipients of the 2016 Kirkus Prize have been announced, among them the novel The Sport of Kings by C. E. Morgan and In the Darkroom by Susan Faludi, a meditation on her father’s gender transition, in the non-fiction category. We reviewed two of the other fiction finalists this year: Carousel Court (here) and The Underground Railroad (here).
Already on shelves ahead of its “official” release date is Mark Twain’s long embargoed Autobiography. Also new this week are The Petting Zoo, a posthumously published novel by punk poet Jim Carroll; a new collection of Selected Stories from master of the form William Trevor; Cynthia Ozick’s “retelling” of of Henry James’ The Ambassadors, Foreign Bodies; and, in time for election day today, Matt Taibbi’s collection of biting political journalism, Griftopia.
Are you on Pinterest? If so, you may be interested in Alice Northover’s round-up of university presses and university libraries that use the site.
Poet Aaron Belz posted the following ad on Craigslist: “Poet available to begin work immediately. Capable in rhyme and meter, fluent in traditional and contemporary forms. Quotidian observations available at standard rate of $15/hour; occasional verse at slightly higher rate of $17/hour. Incomprehensible garbage $25/hour. Angst extra.” It worked. So far he’s written insults and responses to Aubrey Plaza. At The Atlantic, Micah Mattix wonders if this is a new marketing model for artists.
“In Rilke’s essay on Auguste Rodin, written in the same year, he describes the sculptor’s visits to the Jardin des Plantes early in the morning to sketch the sleepy animals. And later on, in Rodin’s studio on the Rue de l’Université, he observes a tiny plaster cast of an antique tiger that Rodin treasured: ‘There is a cast of a panther, of Greek workmanship, hardly as big as a hand…. If you look from the front under its body into the space formed by the four powerful soft paws, you seem to be looking into the depths of an Indian stone temple; so huge and all-inclusive does this work become.’” Henri Cole on the poet and a place that inspired his work.