“Your opponents would love you to believe that it’s hopeless, that you have no power, that there’s no reason to act, that you can’t win. Hope is a gift you don’t have to surrender, a power you don’t have to throw away.” This seems a better time than most to revisit Rebecca Solnit‘s Hope in the Dark, an excerpt of which ran in The Guardian earlier this year. You can also read our review of Solnit’s The Faraway Nearby here.
Tana French pegs the cause of Ireland’s financial crisis on “a total disconnect between action and consequence.” For many Irish citizens since the collapse of the Celtic Tiger, she writes, “their whole sense of a world governed by coherent cause and effect, of their ability to have any agency in their own lives, came under attack.” Bonus: our own Edan Lepucki has previously written about French’s novels and plotting.
“He believed it a privilege and a shame that his race and nationality gave him the chance to come and go from lands where a guillotine blade seemed to dangle forever over the local citizens.” Denis Johnson‘s longtime Esquire editor Will Blythe pens a remembrance of the writer for The New York Times. See also: our own Sonya Chung‘s recommendation of Johnson’s celebrated short story collection Jesus’ Son to a friend some years back. “I know it will knock him out,” she wrote. “It does (of course).”
New this week: The State We’re In by Ann Beattie; Who Do You Love by Jennifer Weiner; The Beautiful Bureaucrat by Helen Phillips; The Race for Paris by Meg Waite Clayton; In The Language of Miracles by Najia Hassib; Still Life Las Vegas by James Sie; and Subway Stations of the Cross by Ins Choi. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
Does reading a novel for a few hours make you feel smarter? You’re not alone: a new study suggests that reading novels heightens activity in the left temporal cortex, also known as the part of the brain associated with receptivity to language. The best part? The changes last for five days.
Everyone’s been there: the bookstore event at which the reader drones on and on. The Observer shares some reading horror stories (and a few successes). Sarah McNally of NYC’s McNally Jackson bookstore says, “The traditional reading format is broken.”