“Your opponents would love you to believe that it’s hopeless, that you have no power, that there’s no reason to act, that you can’t win. Hope is a gift you don’t have to surrender, a power you don’t have to throw away.” This seems a better time than most to revisit Rebecca Solnit‘s Hope in the Dark, an excerpt of which ran in The Guardian earlier this year. You can also read our review of Solnit’s The Faraway Nearby here.
If you’re in New York this weekend, join Belladonna* and Kundiman for a celebration of what would have been the 60th birthday of Theresa Hak Kyung Cha (a full life cycle event in the Chinese/Korean lunar calendar). Nine poets, including Cathy Park Hong, Myung Mi Kim, Sina Queyras, and Anne Waldman, will perform a staged reading from Dictee, Cha’s best known work. There will be birthday cake, projected images, scholarly contextualization, and other surprises. Saturday March 5, at the Bowery Poetry Club, 2pm.
What is the price of diversity? Colleen Muir asks this question at The Rumpus in relation to the hefty cost of writers’ conferences. A piece of her essay: “I’m not claiming that Breadloaf [sic] lacks for talent, or that its writers don’t have interesting things to say. But it certainly lacks for diversity in at least one significant way, because most attendees share a privileged experience of the world.” Pair with Gail Gauthier’s essay on working in the kitchen crew at Bread Loaf.
Martin Connelly takes a look at The International Cryptozoology Museum, which is run by Loren Coleman up in Portland, Maine. If you can’t make the pilgrimage yourself (or if you’re just put off by chupacabra taxidermy), you can also get a feel for the study of far out beasts by reading Coleman’s “genre-defining” book, Cryptozoology A to Z.