“Your opponents would love you to believe that it’s hopeless, that you have no power, that there’s no reason to act, that you can’t win. Hope is a gift you don’t have to surrender, a power you don’t have to throw away.” This seems a better time than most to revisit Rebecca Solnit‘s Hope in the Dark, an excerpt of which ran in The Guardian earlier this year. You can also read our review of Solnit’s The Faraway Nearby here.
“Perhaps postcards best capture a nostalgia inherent to the passerby.” Our own Bruna Dantas Lobato writes about literary postcards and how we imbue images with our own meanings for Ploughshares. You could also read about images that inspire authors from another one of our staffers, Edan Lepucki.
The Walking Tour is drawing ever nearer! Get all the details and RSVP if you want to be notified of any schedule changes.In the NYRB, Mark Danner examines the politics of torture, and J.M. Coetzee gets deep inside Samuel Beckett’s head.James Wood finger-drumming on YouTube is just the most weirdly hypnotic thing we’ve ever seen.Typewriter-part art. (via The Rumpus)A new front runner in the coolest bookshelf contest. Think of it – geographic classification! (for American lit only)”Geoff Dyer book unlikely to win Bad Sex Award“Jane Austen got rejection letters too.Wow. A new Kurt Vonnegut collection is on the way. Amazon has it listed.A glimmer of good news in the newspaper business?Audrey Niffenegger is having a pretty good recession.Further Reading: Kevin’s list of families and fiction has garnered many additions from readers in the comments.
“The idea came to Mr. Mallory one night as he sat on his couch watching an old favorite, Hitchcock’s Rear Window. Out of the corner of his eye, he noticed a lamp switch on in the apartment across the street.” Published under a pseudonym, former executive editor Daniel Mallory‘s debut novel The Woman in the Window was acquired and published by his own imprint. Pair with: an essay about the emergence of “reimagined thrillers” that create characters out of setting.